on the left showed a landscape painting, a typically rural English scene; sheep grazing under the careless eye of a straw-chewing youth, an avenue of trees angled behind.
The second was as singular as that was conventional. The sun, full and faint, lowered through clouds over an expanse of ground, purple and brown, that could either be moorland or field. Trees stood sparse on the indistinct horizon.
It was this picture that Eddie Snow picked up and angled to the light. After a long moment, his face broke into a smile.
âHad me there for a minute.â He replaced the Polaroid. â Departing Day : study, isnât it? Not the real thing.â
Grabianski waited.
âEyesightâd started going by then, poor tosser. Either that or heâd got the DTs.â
A sparrow, perversely brave, dipped its slate-colored head toward a piece of bacon rind and narrowly missed a backhander for its pains.
âSo what you saying here, Jerry?â
âIâm not saying anything.â
âYeah, so I noticed.â Snow picked up the photographs, first one and then the other, and studied them again. âYouâll want to get shot as a pair?â
From Grabianski a nod.
âTwo a penny these,â Snow said, indicating the sheep.
âNot by him.â
âCrap all the same. This first one. Pastoral bollocks. Whereas this ⦠Going for it, thatâs what heâs doing there. Color. Light. All them gradations of blue in the sky. Whistler in a way, but Turner closer still.â
âYou like it?â
âYeah, course I do, but thatâs not the point.â
Grabianski smiled. âYour friend in Cologne â¦â
Eddie Snow shook his head. âStrictly kosher. Never touch anything without itâs got perfect pedigree, properly authenticated bill of sale, the whole bit.â He lit a second cigarette. âI donât suppose youâve got a bill of sale?â
âAnd you,â Grabianski said, âhave you got buyers who are less scrupulous?â
Using his tongue, Snow fidgeted a piece of sausage from between his teeth. âLet me know how to get in touch.â
âBetter I get in touch with you.â
Snow scraped back his chair and stood up. âLegit business. Iâm in the book.â
âI know.â
As Grabianski watched Eddie Snow walk, slim-hipped, away, he noticed that though the couple were still holding hands, the woman was crying. He restored the Polaroids to his pocket and moved the remains of Eddie Snowâs breakfast to another table, where the birds could scavenge in peace. He would have another cup of coffee and then that second piece of carrot cake would go down a treat.
Eleven
She could feel it happening. The listlessness that crept over her, those evenings when he had neither arrived nor phoned; evenings which previously she would have used productively, reading, preparing work, enjoying the space and time before settling back downstairs at ten to watch whatever was on TV. Northern Exposure. Frasier. ER . Or she would be on the telephone to friends, arranging to meet for a drink, a chat, a movie perhaps. And there were those evenings when she would crawl home from school like someone who had been beaten, those days when for one reason or another the kids had left her exhausted and drained. But all of this was okay, this was what she could handle, it was her life: pleasant, controlled, contained. And she could feel what was happening with Resnick beginning to threaten that in so many ways and, much as she enjoyed being with him, it was hard not to resent him for it.
She recognized the feelings from before; first with Andrew and then with Jim. An Irishman who taught poetry and a musician who taught clarinet, oboe, and bassoon. Andrew aggressively and Jim by default, both men had made her dependent upon them. Not for money, stability; not, exactly, for love. Presence, thatâs what it was: need, the need of one