They inhabit me
I am pregnant with certain deaths
of women who choked before they
could speak their names
could know their names
before they had names to know.
I am owl, the spirit said,
I swim through the darkness on wide wings.
I see what is behind me
as well as what is before.
In the morning a splash of blood
on the snow marks where I found
what I needed. In the mild
light of day the crows mob
me, cursing. Are you the daughter
of my amber clock-tower eyes?
I am pregnant with certain deaths
of women whose hands were replaced
by paper flowers, which must be kept
clean, which could tear on a glance,
which could not hold even water.
I am cat. I rub your prejudices
against the comfortable way they grow.
I am fastidious, not as a careful
housewife, but as a careful lover,
keeping genitals as clean as face.
I turn up my belly of warm sensuality
to your fingers, purring my pleasure
and letting my claws just tip out.
Are you the daughter of the fierce
aria of my passion scrawled on the night?
I am pregnant with certain deaths
of women who dreamed that the lover
would strike like lightning and throw
them over the saddle and carry them off.
It was the ambulance that came.
I am wolf. I call across the miles
my messages of yearning and hunger,
and the snow speaks to me constantly
of food and want and friend and foe.
The iron air is heavy with ice
tweaking my nose and the sound
of the wind is sharp and whetted.
Commenting, chatting, calling,
we run through the net of scents
querying, Are you my daughter?
I am pregnant with deaths of certain
women who curled, wound in the skeins
of dream, who secreted silk
from spittle and bound themselves
in swaddling clothes of shrouds.
I am raccoon. I thrive in woods,
I thrive in the alleys of your cities.
With my little hands I open
whatever you shut away from me.
On your garbage I grow glossy.
Among packs of stray dogs I bare
my teeth, and the warring rats part.
I flourish like the ailanthus tree;
in your trashheaps I dig underground
castles. Are you my daughter?
I am pregnant with certain deaths
of women who wander slamming doors
and sighing as if to be overheard,
talking to themselves like water left
running, tears dried to table salt.
They hide in my hair like crabs,
they are banging on the nodes of my spine
as on the door of a tardy elevator.
They want to ride up to the observation
platform and peer out my eyes for the view.
All this wanting creates a black hole
where ghosts and totems whirl and join
passing through into antimatter of art,
the alternate universe in which such certain
deaths as theirs and mine throb with light.
The Annuity
1 .
When I was fifteen we moved
from a tight asbestos shoebox
to a loose drafty two-story house,
my own tiny room prized under the eaves.
My privacy formed like a bud from the wood.
In my pale green womb I scribbled
evolving from worm to feral cat,
gobbling books, secreting bones,
building a spine one segment
at a time out of Marx and Freud.
Across the hall the roomers lived,
the couple from Appalachia who cooked
bacon in their room. At a picnic
she miscarried. I held her
in foaming blood. Lost twins.
Salesmen, drab, dirty in the bathroom,
solitary, with girly magazines,
detective stories and pads of orders,
invoices, reports that I would inherit
to write my poems on;
overgrown boys dogging you
out to the backyard with the laundry
baskets; middle-aged losers with eyes
that crawled under my clothes
like fleas and made me itch;
those who paid on time and those
with excuses breaking out like pimples
at the end of the month.
I slammed my door and left them,
ants on the dusty plain.
For the next twenty years
you toted laundry down two flights,
cleaned their bathroom every morning,
scrubbed at the butt burns,
sponged up the acid of their complaints
read their palms and gave common
sense advice, fielded their girlfriends,
commiserated with their