Rippolson Road, all closed up, an unbroken terrace.
Why did I not repackage all this stuff and send it on to Charles Melville, or take it to his house in person? The envelope wrongly sent to âley Road was addressed to âford Road. But there is no âford Road in London. I have no idea how to find Charles.
The other reason I hesitated was that Charles had begun to frighten me.
The first few times I went walking, took photos secretively, I still thought as if I was witnessing some Oedipal drama. Reading and rereading the material, though, I realised that what Charles had done to Edgar was not the most important thing here. What was important was how he had done it.
I have eaten and drunk at all the cafés on Plumstead High Street. Most are unremarkable, one or two are extremely bad, one or two very good. In each establishment I asked, after finishing my tea, whether the owner knew anyone called Charles Melville. I asked if theyâd mind me putting up a little notice Iâd written.
âLooking for CMâ, it read. âIâve some documents you mislaid â maps of the area etc. Complicated streets! Please contact:â and then an anonymous email address Iâd set up. I heard nothing.
Iâm finding it hard to work. These days I am very conscious of corners. I fix my eyes on an edge of brick (or concrete or stone), where another road meets the one Iâm walking, and I try to remember if Iâve ever noticed it before. I look up suddenly as I pass, to catch out anything hurriedly occurring. I keep seeing furtive motions and snapping up my head at only a tree in wind or an opened window. My anxiety â perhaps I should honestly call it foreboding â remains.
And if I ever did see anything more, what could I do? Probably weâre irrelevant to them. Most of us. Their motivations are unimaginable, as opaque as brickwork sphinxesâ. If they consider us at all, I doubt they care whatâs in our interests: I think itâs that indifference that breeds these fears I cannot calm, and makes me wonder what Charles has done.
I say I heard nothing, after I put up my posters. Thatâs not quite accurate. In fact, on the 4th of April 2001, five months after that first package, a letter arrived for Charles Melville. Of course I opened it immediately.
It was one page, handwritten, undated. I am looking at it now. It reads:
Â
Dear Charles,
Â
Where are you Charles?
  I donât know if you know by now â I suspect you do â that youâve been excommunicated. No oneâs saying that youâre responsible for what happened to Edgar â no one can say that, it would be to admit far too much about what youâve been doing â so theyâve got you on non-payment of subscriptions. Ridiculous, I know.
  I believe youâve done it. I never thought you could â I never thought anyone could. Are there others there? Are you alone?
  Please, if ever you can, tell me. I want to know.
Â
  Your friend.
Â
It was not the content of this letter but the envelope that so upset me. The letter, stamped and postmarked and delivered to my house, was addressed to âCharles Melville, Varmin Wayâ.
This time, itâs hard to pretend the delivery is coincidence. Either the Royal Mail is showing unprecedented consistency in misdirection, or I am being targeted. And if the latter, I do not know by whom or what: by pranksters, the witnesses, their renegade, or their subjects. I am at the mercy of the senders, whether the letter came to me hand-delivered or by stranger ways.
That is why I have published this material. I have no idea what my correspondents want from me. Maybe this is a test, and Iâve failed: maybe I was about to get a tap on the shoulder and a whispered invitation to join, maybe all this is the newcomerâs manual, but I donât think so. I donât know why Iâve been shown these