Free The Queen's Necklace by Antal Szerb

author of the
Compendio
, like some of his contemporaries, asserts that Cagliostro was of Jewish origin, at least on his father’s side. The many extant portraits do nothing to dispel the idea; but of course, we might on the same principle declare that the face has a distinctly Italian look. Goethe, who took an intense interest in the whole necklace affair and wrote a play about it because he felt that it summed up the spirit of the age, actually called on Cagliostro’s relations while in Palermo and was given a warm welcome. Goethe does not mention their being Jewish, but it is true that he spoke only to the mother, sister and sister’s children, and no one from the supposedly Jewish side.
    There seems to be no doubt that Cagliostro was born and brought up in Palermo. Sicily was of course a wonderful environment for an aspiring trickster. It was home to Europe’s most credulous, superstitious and miracle-loving people—a people, moreover, not overly devoted to work. At a very early age Cagliostro developed his inclination to live not by his own efforts but on the credulity of his fellow men—on what was in fact a by-product of their religious faith.
    According to the scribe, he began his career at an early age. He ran away from the monastery at Caltagirone where he had been entered, and where he had acquired some of the basics of medicine. There followed a long series of escapades: he swindled, beat up the local policeman and robbed his ownfamily. Among the more successful of these youthful adventures was the episode of the buried treasure. He persuaded a jeweller called either Murano or Marano that he knew of a cave in which there was hidden booty. But, as usual, it was guarded by devils. These would have first to be appeased by the recitation of arcane scripts, and by leaving two hundred ounces of gold at the cave’s entrance.
    One night the two men made their way to the site. The jeweller set the gold down, and Cagliostro began to declaim in Italian and Latin, but mainly in Arabic. But some error must have crept into the text, because it had precisely the opposite effect from the one intended. Four black devils rushed out of the cave and beat Marano thoroughly, until he ran off home, howling all the way. Marano tried to sue, but Cagliostro had found it prudent to make a rapid departure from the city of his birth.
    Now, apparently, he really did travel through the Levant, and indeed in the company of someone called Altotas. He even went to Malta, where Pinto d’Alfonseca, the Grand Master of the knightly Order, did actually take him in, so that Cagliostro could assist him with his alchemical experiments. Either he inserted these real names and facts into his otherwise fanciful autobiography, or some of them were added by the scribe.
    From Malta he went to Rome, and there he did in fact marry. The lady concerned was Lorenza (not Serafina) Feliciani, who was not exactly of noble birth but the daughter of a simple foundry worker. Where the many sources do agree is that she was extremely beautiful, with her girlish charm and blue-eyed allure. Casanova wrote about her in his memoirs in tones of the greatest rapture—which may not mean much in itself, since he used the same language about all the ladies (the secret of all Don Juans being to find all women pleasing)—but in this case there are other, less flamboyant, expert witnesses. However Cagliostro is not ranked among the experts. Men did fall in love with her at a distance, but in the eighteenth century love was not a particularly romantic business, but somewhat detached. Thesort of people who rhapsodised about her had never seen her. Two of them actually fought a duel over whether the dimple was on the left or the right side of the face.
    When, later on, the lovely Lorenza was incarcerated in the Bastille during the necklace trial, her lawyer, Maître Polverit, described her to the court as an “angel in human form, sent down to earth to share and sweeten the