Free Agatha Christie by The Man in the Mist: A Tommy, Tuppence Adventure

The Man in the Mist
    â€˜The Man in the Mist’ was first published in The Sketch, 3 December 1924. Father Brown was created by G. K. Chesterton (1874–1936).
    Tommy was not pleased with life. Blunt’s Brilliant Detectives had met with a reverse, distressing to their pride if not to their pockets. Called in professionally to elucidate the mystery of a stolen pearl necklace at Adlington Hall, Adlington, Blunt’s Brilliant Detectives had failed to make good. Whilst Tommy, hard on the track of a gambling Countess, was tracking her in the disguise of a Roman Catholic priest, and Tuppence was ‘getting off’ with the nephew of the house on the golf links, the local Inspector of Police had unemotionally arrested the second footman who proved to be a thief well known at headquarters, and who admitted his guilt without making any bones about it.
    Tommy and Tuppence, therefore, had withdrawn with what dignity they could muster, and were at the present moment solacing themselves with cocktails at the Grand Adlington Hotel. Tommy still wore his clerical disguise.
    â€˜Hardly a Father Brown touch, that,’ he remarked gloomily. ‘And yet I’ve got just the right kind of umbrella.’
    â€˜It wasn’t a Father Brown problem,’ said Tuppence. ‘One needs a certain atmosphere from the start. One must be doing something quite ordinary, and then bizarre things begin to happen. That’s the idea.’
    â€˜Unfortunately,’ said Tommy, ‘we have to return to town. Perhaps something bizarre will happen on the way to the station.’
    He raised the glass he was holding to his lips, but the liquid in it was suddenly spilled, as a heavy hand smacked him on the shoulder, and a voice to match the hand boomed out words of greeting.
    â€˜Upon my soul, it is! Old Tommy! And Mrs Tommy too. Where did you blow in from? Haven’t seen or heard anything of you for years.’
    â€˜Why, it’s Bulger!’ said Tommy, setting down what was left of the cocktail, and turning to look at the intruder, a big square-shouldered man of thirty years of age, with a round red beaming face, and dressed in golfing kit. ‘Good old Bulger!’
    â€˜But I say, old chap,’ said Bulger (whose real name, by the way, was Marvyn Estcourt), ‘I never knew you’d taken orders. Fancy you a blinking parson.’
    Tuppence burst out laughing, and Tommy looked embarrassed. And then they suddenly became conscious of a fourth person.
    A tall, slender creature, with very golden hair and very round blue eyes, almost impossibly beautiful, with an effect of really expensive black topped by wonderful ermines, and very large pearl earrings. She was smiling. And her smile said many things. It asserted, for instance, that she knew perfectly well that she herself was the thing best worth looking at, certainly in England, and possibly in the whole world. She was not vain about it in any way, but she just knew, with certainty and confidence, that it was so.
    Both Tommy and Tuppence recognised her immediately. They had seen her three times in The Secret of the Heart , and an equal number of times in that other great success, Pillars of Fire , and in innumerable other plays. There was, perhaps, no other actress in England who had so firm a hold on the British public, as Miss Gilda Glen. She was reported to be the most beautiful woman in England. It was also rumoured that she was the stupidest.
    â€˜Old friends of mine, Miss Glen,’ said Estcourt, with a tinge of apology in his voice for having presumed, even for a moment, to forget such a radiant creature. ‘Tommy and Mrs Tommy, let me introduce you to Miss Gilda Glen.’
    The ring of pride in his voice was unmistakable. By merely being seen in his company, Miss Glen had conferred great glory upon him.
    The actress was staring with frank interest at Tommy.
    â€˜Are you really a priest?’ she asked. ‘A Roman Catholic priest, I