and go , honey, thatâs our motto. Right, sweetheart? You listening, honey?â
At the cemetery plot, where her mother takes the girl to keep a promise, her daddyâs grave is marked with some plastic yellow daisies in a mayonnaise jar. They put them there the day they crunched into town. The flowers are very old, but they havenât lost their color. The girl wipes the petals free of dust with the hem of her long shirt.
An Elvis look-alike is standing one grave over, with his back to them as though waiting for a bus. Her mother flounces her evil eye his way, cracking open her jaw, breathing through her nose like a retard, making the noise a dragon might make until the girl smiles. âEven down to the boots,â her mother whispers. âWhatâs he doing here? Whyâs he waiting on us? You think heâs got much cash?â She glances quickly at any gravestone in the vicinity large enough to hide a body behind. In any graveyard, she once told the girl, even the one where her daddy is buried, especially that one maybe, she expects the Voodoo Queen or someone alive and grassy to rise from the mud.
The Elvis look-alike seems unaware of them, scratches his scalp and shifts his weight. Heâs wearing skinny-toed cowboy boots the color of a snake. Her mother is having her fit in slow-motion, leaning over the grave, staring past the dates as though she canât figure them out. âThey not gonna change,â the girl says. âIt ainât a cash register.â
âYou can say that again,â her mother says. âYour daddy was anything but a money machine. He was sure good at laying down and waiting for me to take care of him though, wasnât he? I donât have to go on about that , do I?â She leaps like a disco queen to the raised mound where the girlâs daddy is sleeping and knocks over the flowers in the process. For a minute the girl cringes, thinking her mother is going into one of her danceplays. The girlâs lived with them for years, they can happen anytime, at a pizza place, a motel, a backalley bar, a playground. Her mother pretends sheâs like listening to the world and letting the world make her move, throwing her arms about, collapsing in a fit, like the Lordâs touched her or something even worse.
Instead, she hitches up her skirt and circles the mound as though wrestling with her husbandâs ghost, then moseys close to the little Elvis. âBoo,â she says.
He jumps a mile and a quarter. âGood God, woman, you queer or something? You like to raise the dead?â
She gives him her devil-smile. âLooks to me like the deadâs already up and about.â
âSneak up like that in a place like this? Good grief.â He donât sound nothing like Elvis when he talks. His voice is high and greasy and quakes a little like it needs to be oiled. He rattles his head, still taking in the sight of the girlâs mother in a lowcut T-shirt. His Elvis hair falls into prince charming bangs, straight across his eyes. Itâs all spruced up and blue so the girl thinks of a blue moon, but heâs almost a kid, more her age than her motherâs. It turns out his own mother lives in the ground, his words, right next door to the girlâs daddy. What a riot, the little Elvis says, all of us being so close together like that. He begins jawboning with the mother, the two of them swaying in rhythm like saplings.
Her daddyâs a whole lot nicer now that heâs dead. The girl can tell him anything and he listens. His grave still looks fresh, each letter chiseled neatly into the stone, and the grass is clipped. Itâs like a national park. All the neighbors are quiet and everything, and itâs all paid for. The only thing your daddyâs benefits covered was final expenses, her mother likes to say, at least he gets to rest easy now. Even with her mother chattering to the little Elvis, working him up, the girl can