The Mother Tongue

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Authors: Bill Bryson
having to be taught French before they could be sent away to school [Crystal, The English Language, page 173]. By the end of the fourteenth century Oxford University introduced a statute ordering that students be taught at least partly in French “lest the French language be entirely disused.” In some court documents of this period the syntax makes it clear that the judgments, though rendered in French, had been thought out in English. Those who could afford it sent their children to Paris to learn the more fashionable Central French dialect, which had by this time become almost a separate language. There is telling evidence of this in The Canterbury Tales, when Chaucer notes that one of his pilgrims, the Prioress, speaks a version of French known only in London, “For Frensh of Paris was to hir unknowe.”
    The harsh, clacking guttural Anglo-French had become a source of amusement to the people of Paris, and this provided perhaps the ultimate—and certainly the most ironic—blow to the language in England. Norman aristocrats, rather than be mocked for persevering with an inferior dialect that many of them ill spoke anyway, began to take an increasing pride in English. So total was this reversal of attitude that when Henry V was looking for troops to fight with him at Agincourt in 1415, he used the French threat to the English language as a rallying cry.
    So English triumphed at last, though of course it was a very different language—in many ways a quite separate language—from the Old English of Alfred the Great or Bede. In fact, Old English would have seemed as incomprehensible to Geoffrey Chaucer as it does to us, so great had been the change in the time of the Normans. It was simpler in grammar, vastly richer in vocabulary. Alongside the Old English motherhood, we now had maternity, with friendship we had amity, with brotherhood, fraternity, and so on.
    Under the long onslaught from the Scandinavians and Normans, Anglo-Saxon had taken a hammering. According to one estimate [Lincoln Barnett, page 97], about 85 percent of the 30,000 Anglo-Saxon words died out under the influence of the Danes and Normans. That means that only about 4,500 Old English words survived—about 1 percent of the total number of words in the Oxford English Dictionary. And yet those surviving words are among the most fundamental words in English: man, wife, child, brother, sister, live, fight, love, drink, sleep, eat, house, and so on. They also include most of the short “function” words of the language: to, for, but, and, at, in, on, and so forth. As a result, at least half the words in almost any sample of modern English writing will be of Anglo-Saxon origin. According to another study cited by McCrum [ The Story of English, page 61], every one of the one hundred most common words in English is Anglo-Saxon. To this day we have an almost instinctive preference for the older Anglo-Saxon phrases. As Simeon Potter has neatly put it: “We feel more at ease getting a hearty welcome than after being granted a cordial reception. ”
    It is sometimes suggested that our vocabulary is vast because it was made to be, simply because of the various linguistic influences that swept over it. But in fact this love of variety of expression runs deeper than that. It was already evident in the early poetry of the Anglo-Saxons that they had an intuitive appreciation of words sufficient to ensure that even if England had never been invaded again her language would have been rich with synonyms. As Jespersen notes, in Beowulf alone there are thirty-six words for hero, twelve for battle, eleven for ship—in short, probably more than exist today.
    It is true that English was immeasurably enriched by the successive linguistic waves that washed over the British Isles. But it is probably closer to the truth to say that the language we speak today is rich and expressive not so much because new words were imposed on it as

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