involved.
âSuspicious?â Honor had queried. âIn what way?â
âClaude was stabbed, but the killer had set fire to his body to try to cover his tracks ⦠the pathologist took a while to determine the cause of death ⦠Claude was burnt alive. He was still alive.â
The words had reverberated in Honorâs brain. Another murder. Another victim of fire.
âWhy would anyone want to kill him? Did he have any enemies?â
âHe was a landscape gardener,â Eloise had replied, almost laughing at the absurdity. âNo one kills gardeners. Everyone liked him, got on with him. Claude was kind, considerate ⦠But that didnât stop someone killing him, did it?â She had grabbed at a breath as though simply living was an effort. âItâs only been two days. Two days, and it feels like heâs been gone for a lifetime.â
Honor had made a mental note to ring the French police and find out what she could about the case â or whatever they would tell her. The rest she would search for herself. The internet would have the death listed, and it would have been reported in the French newspapers. Moments later she had ended the phone conversation with Eloise Devereux, but she couldnât stop thinking about the death of her husband.
Getting to her feet, Honor left the cloakroom, bumping into Mark Spencer as she did so. She had the unpleasant feeling that he had been waiting for her.
âWhat dâyou want, Mark?â
âYou all right?â
She frowned. âWhat?â
âYou looked pale in the meeting,â he smarmed. âI was just wondering if you were OK.â
âIâm fine.â
âWell, if thereâs anything worrying you, you can always talk to me. You know, if youâre unsure about anything.â He was flustered. âLike I say, if thereâs anything I can doââ
âActually there is,â Honor replied. âAt the next meeting, stop trying to look down the front of my blouse.â
Sixteen
Lloyds Bank, Chelsea, London
Hurrying out of the rain, Nicholas walked into the bank and requested his safe deposit box. A few moments later, the manager showed him into a side room and then left him alone. After he had locked the door, Nicholas sat down at the table and drew the steel box towards him. Inserting the key he carried on a chain round his neck, he unlocked it and took out twenty-eight small envelopes, each barely two inches square.
They were numbered 1 to 28.
He stared at them for a long time, remembering the moment he had discovered the first one. How he had drawn the tiny piece of paper out of the crack in the gold connector and smoothed it down, intrigued by the faint writing in a Gothic script. In a language he couldnât decipher at first. All he had recognised had been the name Hieronymus Bosch, and the date 1470. With intricate care he had levered open the joins of all the other connectors, finding â as he hadexpected and hoped â twenty-seven further tiny pieces of paper with writing on them. In the same hand and apparently in the same language.
So Sabine Monette had â on a whim â stolen a chain that turned out to be holding a secret. It hadnât taken a genius to work out that anything concealed so carefully must be important. The question had been simple â what did the writing say? Without telling Sabine anything about his discovery, Nicholas had set about getting the words translated.
His instinct prompted him to secrecy. He knew from the reactions of Gerrit der Keyser and Philip Preston that the chain was valuable, so how much more valuable would the writing turn out to be?
Using a different name, he had gone online and sought help from three different university scholars, one in Cambridge, one in Holland and a third in Boston. His cover story had been simple: he was a journalist trying to translate some old copy from a