defensive.
âI mean, how well did you know him? Like, were you drinking buddies, nodding acquaintances, were you about to be engaged, what?â He waited but Rik looked blank, so he said heavily, âThey searched his flat â they even sliced open the cushions. Are they likely to find anything that might bring them here, to you?â
âNo. No .â Rik looked shaken but defiant. âOf course not. I met him a few times around town, thatâs all. Itâs standing orders, to chum up with other foreigners, so I did.â He explained, âIâve always been interested in photography. He was happy to talk.â He gave Harry a wary look, as if he might have made a grave error, then said, âThese blokes . . . what did they look like?â
âIt was dark. I didnât see much, apart from the one in uniform.â He thought back to when heâd looked out of his window. He hadnât got a clear view of the man, and the street lights werenât good. âShort hair, thin face . . .â he shrugged. âThe others, I only saw the tops of their heads. Why?â
But Rik wasnât listening. âJesus, I was right!â His face had gone even paler, and his eyes were gleaming as he stared round the room. âI knew it . . .â
âWhatâs going on?â Mace had entered the office with Clare Jardine in tow. âYou two not falling out, I hope.â He hadnât heard Rikâs last words, but had picked up on the tension in the air.
âNo.â Rik jumped in before Harry could say anything. âHarry was saying some blokes went through Marioâs flat last night. One of them was in uniform. Security cops.â
Mace looked at Harry. âThat so? Well, well. Wonder what our Latin snapperâs been doing. You take a look?â
âYes. Nothing I could see, but theyâd tossed it fairly comprehensively.â He paused, wondering what was bothering Rik Ferris. But there was also something from last night coming back to him. Something about the contents of Marioâs flat. Or, more accurately, the lack of.
âWhat?â Clare Jardine was watching him, had spotted something.
âHeâs a press photographer, you said.â Harry looked at Rik.
âThatâs right. A freelance. Why?â
âThere was some wrapping from a camera shop near the wastebasket. Theyâd kicked it over. I didnât think anything of it at the time. I think it was for a camera.â
âSo? Maybe he needed a new one.â
âMaybe,â Harry agreed. âBut how many press photographers leave it until they get somewhere remote before buying a camera? Most photographers have a ton of photographic equipment lying around.â
âThe cops could have taken it,â Mace suggested. âIf heâs been a naughty boy, theyâd collect it as evidence. Or to sell.â
Harry shook his head. Mace was being obtuse. âThey were empty-handed. And there was nothing inside the flat; no cases, no lights, no lenses â nothing.â
Mace shrugged, anxious to move on. âI donât see thereâs anything we can do. Best keep out of it.â He looked at Rik. âAny chance he was Italian intelligence?â
âI donât know.â Rik looked shell-shocked. âMaybe. Probably.â
âBloody right, probably. Youâd best hope he doesnât give âem your name just to wriggle out of whatever mess heâs in, otherwise youâll be next.â He turned to Harry. âYouâd better come in â you, too, Rik. Something to show you.â They followed him into his office, where a PC monitor was humming on the desk.
âThe details Clare picked up yesterday from her contact,â he said, moving behind his desk, âwere map co-ordinates.â He flipped a hand towards a large map of the country on the wall behind him. A red marker was