Free Empire by Gore Vidal Page B

dangerous men who lived beneath the elevated railroad along Sixth Avenue a block away. Although there was an unwritten treaty that there be no traffic between wealthy Fifth and depraved Sixth Avenues, the idle stranger had been known to appear in the bar-rooms of the Fifth Avenue Hotel, that acropolis among hotels, and wolf down a complete meal from the celebrated “free lunch,” some sixty silver platters and chafing dishes containing everything from terrapin stew to a boiled egg.
    Blaise, in his sturdy youth, preferred the boiled egg to any other food. He had been so spoiled by great cooking all his life in France that simplicity at table was a bleak joy he could now indulge in. As he stood at the bar, beer mug in hand, he looked about the glittering high-ceilinged rooms that ran the hotel’s length. Slender, fluted Corinthian columns supported an elaborately coffered ceiling. Every square inch of wall was vividly decorated: half-pilasters in elaborate stucco, painted Arcadian scenes in gilt frames, cut-crystal gas-lamps now electrified, and in the place of honor over the mahogany bar the famed nudewoman, the notorious masterpiece of a Parisian unknown to the Parisian Blaise, one Adolphe William Bouguereau. The painting was still regarded by New York men as “hot stuff.” For Blaise it was simply quaint.
    As Blaise studied the stout burghers who came and went, talking business, he was relieved to see none of his fellow journalists. Although he enjoyed their company, to a point, that point was often too swiftly reached whenever a bottle was produced. He had known a few heavy drinkers at Yale; had even been drunk himself; but he had never encountered anything quite like the newspapermen, as they called themselves. It seemed that the more talented they were, the more hopeless and helpless they were in the presence of a bottle.
    There was a mild stir in the bar as the former Democratic president Grover Cleveland, a near-perfect cube of flesh, as broad as he was tall, made a stately entrance, shook a number of hands absently, and then took the arm of the smooth Republican Chauncey Depew and together they vanished into an alcove.
    “Who’d think they were once mortal enemies?” Blaise turned and found himself looking into the handsome, if somewhat slant-eyed, face of his Yale classmate Payne Whitney. The young men shook hands. Blaise knew that although his classmates considered him somewhat scandalous for not bothering to graduate, he was thought to be highly enterprising—in a criminal sort of way—for having gone to work for William Randolph Hearst and the
Morning Journal
, a newspaper whose specialty, according to the newspapermen, was “crime and underwear,” an irresistible combination that had managed to bring, in two years, Pulitzer’s
New York World
to its knees. At thirty-five, Hearst was the most exciting figure in journalism, and Blaise, who craved excitement—American excitement—had got himself introduced to the Chief. When Blaise had said that he had left Yale, just as Hearst had left Harvard, in order to learn the newspaper business, the Chief had been noncommittal; but then, at best, he found it difficult to express himself in spoken words. Hearst preferred printed words and pictures; he was addicted to headlines, exclamation points, and nude female corpses found, preferably in exciting chunks all round the town. But when the Chief had learned that young Mr. Sanford was heir to a considerable fortune, he had smiled, boyishly, and welcomed him into the bosom of the
Journal
.
    Blaise sold advertising; rewrote stories; did a bit of everything, including expeditions into darkest Sixth Avenue, and Stygian Hell’sKitchen. He had been bitterly disappointed when the Chief had not taken him to Cuba to enjoy Hearst’s victory over Spain. Theodore Roosevelt may have won a small battle but everyone conceded that Hearst had himself started and won a small war. Without Hearst’s relentlessly specious attacks on