annoyed Iâd spoken to your father and never said anything to her, but sheâll get over it. Sheâll be a good mother-in-law to you when the time comes, Iâm sure.â
Lizann shuddered at the prospect of having Bella Jeannie Tait as a mother-in-law â something that had slipped her mind until then â but Peter couldnât choose his relations any more than anybody else could.
âWeâre not going to live there when weâre married?â she asked.
âGod no! Sheâd never stop interfering. Weâll look for a house ⦠up the town, not in Buckpool, but thereâs plenty of time.â
Before she went to sleep that night it crossed Lizannâs mind that she hadnât thought of George the whole day. She could hardly believe it, but it was surely a good sign. Sheâd had the feeling, on their last night, that if sheâd given him the slightest hint that she might not marry Peter heâd have thrown over his girlfriend and come to Buckie to court her. But he probably wouldnât have, and heâd be engaged to his Katie by now, so it was best to forget him.
If she married Peter ⦠when she married Peter, she corrected herself, she would be ecstatically happy. She hadnât told him a lie when she said she still loved him, for she did ⦠didnât she?
Chapter Four
âItâs time I tidied out the foot oâ the lobby press,â Hannah observed, one dull morning, after Willie Alec and Mick had left. âYour father just chucks everything in there.â
âIâll do it if you like.â Lizann was glad of a change from polishing the brasses and washing and ironing clothes, and there was always a possibility that she would come across something interesting.
She smiled ruefully when she opened the door. The two shelves where her mother kept articles only needed for occasional use were neat and tidy, but the bottom of the cupboard was in a proper mess. She lifted everything out and laid it on the linoleum behind her, then scrubbed out the wooden floor and, waiting for it to dry, looked to see what could be thrown out. There were tins of nails and screws, a box of the tools her father used for the jobs around the house and a cardboard box with old door handles and lots of other items he obviously thought might come in handy. She sifted out the things she thought were past being useful, and put the rest into the carton neatly before she returned boxes and tin to the cupboard.
Next she set an old storm lantern in its original place, also two old rolls of wallpaper her mother used for lining drawers. Lastly she came to a thick bundle of old newspapers dated 1908 and tied with a piece of string. Wondering what was so interesting in them that theyâd been kept twenty-two years, she undid the knot and felt something hard and flat inside. Carefully opening out the yellowing pages, she uncovered a gold-framed picture of a fishergirl with a creel on her back, standing on the shore looking out to sea.
It was a sketch, not a photograph, but it fascinated her because she could see a likeness to her mother in the girlâs face and the way she was standing. She could be a sister, but Auntie Lou was Hannahâs only sister and she had never mentioned going round with a creel when she was young. Maybe this was a younger sister who had died ⦠or got into some kind of trouble that had made her run away in disgrace?
Intrigued, Lizann took the picture through to the kitchen, but when Hannah saw it she let out a horrified gasp. âAch, I forgot Iâd hid that thing in there.â
This increased Lizannâs curiosity. âItâs not a thing, Mother, itâs a lovely picture. Why did you hide it away?â
âNever you mind. Put it back and leave it.â
But Lizann couldnât drop the subject. âWho is she?â
âItâs me!â Hannah snapped. âSo now you know.â
This was a great
Marteeka Karland, Shara Azod