that the question interested him more than the others. If heâd been a policeman heâd probably have been bent, but heâd still have been more effective than a lot of the straight ones.
âWhy do you want to know?â said Pibble.
âIâm curious.â
âThat doesnât ⦠unless you think that whoever shot Tosca might, er, have been looking for you.â
This time the pale eyes didnât flicker, but still somehow acknowledged the guess. It was as though their impassivity, till now habitual and unconscious, had become deliberate.
âShouldnât of made his rounds that regular,â said Wilson.
âHe didnât thatââ said Pibble, and cut himself off too late.
âCouldnât of, not that night, could he? Dead by then. But before that you could of set your watch by the time he went in and out under here. Stupid. Donât tell me as you hadnât noticed.â
âI suppose I had. They run this place on a pretty tight routine, though â¦â
âCourse they do, but George didnât have to pay no attention to that, did he? Trouble with him, he thought he knew it all. Look, when he was training, they must of told him not to do things all regular. Thatâs right, innit?â
The question was not rhetorical, but spoken as though Pibble should know the answer. Wilson, leaning across to interfere with one corner of Pibbleâs jigsaw, had nudged a loose piece with his cuff, and now, with the slightly altered angle, what had so far been abstract smudges and blurs became plainly representationalâa bit of blue uniform with a belt across it. Of course. Tosca had been a policeman. Yes, the licenses for the guns, for one thing, and Mikeâs attitude to that. Mike being here at all. A Chief Super.
âSo what was you up to that night?â said Wilson. âYou still havenât told me.â
âI donât know myself,â snapped Pibble, irritated by the interruption to his thoughts. Tomorrow, in an hourâs time, even these sharp-edged and potentially interlocking perceptions might have reverted to the usual slithering fuzz.
âYou donât know,â said Wilson impassively.
âI probably didnât know at the time, and I certainly donât now. All I can tell you is that a bit after Jenny left me I started to get up and dress, and while I was doing that I began to tell myself that I was doing it because of something Iâd heard, in spite of the wind. I thought it was a shot. Even then I didnât know if it was true, and I certainly donât now.â
âHunch!â
âI donât believe in hunches. I never did. They always let you down.â
âRight. Remember Ferdy Greer?â
âI donât think so.â
âAfter your time, perhaps. Hit man for the Blue Bear crowd. Drugged a bit. Mary Lou Isaacs told me thisâshe and me was quite good pals, once. Forget it. Ferdy. It was after some job, the payout. Everything gone like clockwork. Some very hard boys in the Blue Bear lot, so Mary Lou liked to have Ferdy around case one of âem tried something. But that night there hadnât been no arguments and they was all sitting around having a drink and relaxing when Ferdy jumps up and says, âIâm getting out of this.â Summing in the way he says it, so Mary Lou looks at him, and heâs dead white, and all heâll say is summing badâs coming, summing really bad. Born in a gypsy van, Ferdy, so Mary Lou shrugs and gives him a stack of tenners, and thatâs the last she sees of him. Couple of hours later heâs out at the airport with his passport and a ticket, getting on to a plane for Jamaica. Now, thereâs a rozzer in plain clothes on the gangway, looking for someone else, not Ferdy at all. Ferdy sees him and knows him but he walks past and is going up the gangway when the rozzer does a double take and calls out to him to come back.
Eric Flint, Charles E. Gannon