about it. Vi!â Kerrie clutched her friend. âYou donât think sheâs trying to ⦠drive me away?â
âI wouldnât put it past her,â said Vi grimly. âSheâs the type. I sâpose if you lived somewhere else this year youâd be cut out of the will and sheâd get your share?â
Kerrieâs eyes snapped. âSo thatâs what sheâs up to! Isnât satisfied with twenty-five hundred a week and wants mine, too!â
âTwenty-five hundred a week donât go very far when youâre trying to corner the mink and sable markets, the way sheâs doing.â
âWell, she wonât chase me away! Iâll fight her!â
âAtta girl,â said Vi enthusiastically. âOnly let me get in a sock once in a while, will you, hon?â
After that, it was interesting. Kerrie no longer fled. She was careful to join them whenever they began to whisper. At other times she permitted herself to be cultivated by Mr. Edmund De Carlos, who had been quietly pursuing her ever since she had moved in. Mr. De Carlos began to glow with a hot, somehow sinister, light. He became insistent. She must go out with himâoften. He had discovered New York. He would show it to her. They must be great friends. Once, she acceptedâthat was the night when Beau, squirming in tropical tails, escorted the beautiful Miss Cole to the summer theatre.
Everything went smoothly, and dully, until they were on their way home in De Carlosâs limousine. Then something happened. And after that Kerrie refused Mr. De Carlosâs invitations. In fact, she tried to ignore him, finding herself beginning to be terrified.
But Mr. De Carlosâs light glowed hotter and more sinister. His wild and reckless excursions into New Yorkâs night life almost ceased. He spent most of his time on the estateâwatching Kerrie. When she went riding, he followed. When she went boating, he followed. When she swam, there he was on the edge of the pool, a little tense. She stopped tramping in the woods.
Kerrie was thoroughly frightened. Vi suggested slipping poison into his soup, but Kerrie was not to be cheered by jests.
âThen why donât you talk to Ellery about it?â asked Vi. âHeâs a man, and a detective, besides.â
âIâd rather die! Oh, Vi, it isnât just the way De Carlos looks at me. Iâve handled men with that kind of look before. Itâsâsomething else.â She shivered. âI donât quite know myself.â
âItâs your imagination. Why donât you make a few friends? Youâve been here weeks and weeks and you donât know a soul.â
Kerrie nodded miserably.
Vi sought out Beau. âListen, you. I donât like your taste in women, but I used to think you were a pretty decent guy once. If youâre any part a man, youâll keep your eye on this bedbug De Carlos. Heâs got what they call âdesignsâ on Kerrie, and I donât mean the kind of designs they put on doilies.â
âSeems to me,â said Beau indifferently, âsheâs sort of egged him on.â
âHow quaint!â said Margo, slipping the strap of her bathing suit back over her magnificent shoulder.
âI wasnât talking to you, grandma!â
âWell,â said Beau hastily, âIâll keep my eye peeled.â
After that, Beau came even more frequently.
VI. The Knife and the Horseshoe
Someone struck by night.
Kerrie lay in her four-poster. It was warm, and she was covered only to the hips by a thin silk quilt. She was reading Emily Dickinson, absorbed in the lovely, piercing cries of ecstasy.
Kerrieâs suite lay in an ell of the mansion, one story above the terrace which encircled the house. There were strong vines and trellises of roses on the walls outside her windows.
The windows were open, and through the still curtains the gardens below sounded drowsy with