so, he must have enjoyed being taken care of and catered to in a way Hannibal never would.
While one part of his mind toyed with that personality puzzle, the rest of it explored the office, searching for some evidence that Anitaâs father had connections with anyone elseat Isermann -Börner. Nothing on the desk or any of its cubbyholes yielded a clue. He leafed quickly through the books on the dust-free shelves. It didnât take long to ascertain that Mr. Cooper never made personal references.
Letters? Memos? Hannibal turned his attention to the gray metal filing cabinet in the corner. He yanked at the handle. Locked. Well, that was a good sign. Maybe there was something inside worth hiding. Not wanting to wait for Anita, Hannibal drew a small plastic kit from an inside jacket pocket. The case was about the size of a credit card and no thicker than a computer floppy disc. From it he drew two slender bits of spring steel. He slid the metal slivers into the filing cabinetâs lock and five seconds later, pulled the top drawer open.
The file folders were all neatly labeled, and most of the labels meant nothing to Hannibal. Chemical compounds, he guessed, or abbreviations for them, except for the folder at the very back whose label read, ârules.â Curiosity drew his hand toward it, then past it. In the dark in the back of the drawer a sparkle had caught his eye. It was the glint of metal on what appeared to be a leather strap.
Hannibal pulled the unexpected object from the drawer. A dogâs collar, he thought, but for a good sized animal. It was a simple black leather strap about fourteen or fifteen inches long, with a square silver buckle. Odd that the collar would be locked in a file cabinet, he thought, and stranger still that he had seen no evidence of a dog or even a cat in the house. He had seen no food, water bowl, pet toys, or any of the usual telltale signs.
The collar made him curious, but didnât seem relevant to his investigation. Idly, he pulled the ârulesâ folder out with his free hand, dropped it on top of the filing cabinet, and flipped it open. It appeared to contain only five or six sheets of paper, with several lines handwritten in a very fine and precise script, with gold ink. Not a manâs hand, more likely Anitaâs. The hair on the back of Hannibalâs neck rose to attention as he scanned the first few numbered lines.
#1. I worship my Master.
#2. I worship my Masterâs body.
#3. I will serve, obey and please my Master.
The numbers went up to ninety, but that was enough for him. Hannibal flipped the folder closed and just managed to get it back where he found it when he heard a gasp behind him, followed by another sound, like a partial sob. He turned to see Anita, her mouth open and her face flushed bright crimson. Her eyes darted left and right, as if she would run off if not for the tray she was holding. The tray held a coffee pot, cup, sugar and creamer set, and a plate of muffins. After a moment of paralysis, she appeared to buckle at the knees. Hannibal moved to help her, but she carefully placed the tray onto a chair and knelt in front of it, facing down at the tray as if the empty cup was endlessly fascinating. Hannibal suddenly felt like an intruder. He also felt very slow, having not realized at first that the object in his hand was a symbol of shame for the woman he was trying to help.
âThis is yours,â he said slowly, before realizing how pointless that comment was.
Anita squeezed her knees with her hands, and nodded her head.
Hannibal was treading into unfamiliar waters, but some things seemed to string together. âRod?â
Her head moved up and down again, and he saw a tear drop to her skirt.
âPlease,â he said aloud, âplease stand up.â In his mind he was screaming, âFor Godâs sake, get off your knees.â
Anita rose and turned to face him with unexpected grace. She seemed to be staring
Madeleine Urban ; Abigail Roux