suggest she breathe. My duty is to ask her please
to focus on that quiet place inside her, a brook, could be, falling high up through
a mountain meadow, or underneath that cottonwood beside the stilled and deepening
river; I describe for her the pebbled seaside she once went to as a girl, where she
must have walked once, and had watched once, and had heard and felt the storied waters
turn the pebbles clicking each one over on the other—waters-in, waters-out—smoothening,
and polishing, talkingly, to her, through the bottoms of her feet, perhaps, and through
her nose, and pores, inspiring confidence, and continuity, whispering to her, this is as it shall be and has forever been, and she is this, and this is she—the waters-in, the waters-out, the smoothened pebble
clicking in the rocking tidal wash—at rest in motion, in motion cleansed, safe in
rest, undangered and unpained, so long as she remains inside there. Push, I tell her. She must push, scream and count; I tell her, coachingly, that she must breathe. So she pushes, screams and breathes, and breathing she becomes the boy to me, the
birth again, again she smiles as she describes the boy’s smile, as I describe my father’s.
And then I ask her: Was it ecstasy she felt while chewing through her bottom lip?
Did her veins burst from her face for happiness? If it is happiness recorded in the
photographs she ordered me to take of her, then why should she be saddened by the
image she perceives there?
“Oh, I look so dumpy,” says my wife. “My hair’s stuck to my head. You didn’t tell
me there was blood on my gown. My God, I look like a half-wit. Put those things away,”
she says, “that’s not the way that I remember it.”
She forgets, as an example, that she refused to picture for herself a seaside, or
she says that she was drugged. How else explainherself? She knows very well what seasides are. If she said she wasn’t sure if seasides
ought to have a lighthouse, or a sandy beach, or rocky, or if there ought to be a
boardwalk and a Ferris wheel or rather seaoats hissing on the leesides of deserted
dunes, then I should be ashamed for not assisting her in choosing which she ought
to picture. And if I truly had been urging on her the deserted seaside, and she truly
had rejected it, well, then, I should be ashamed of failing to direct her to the peopled
seaside she desired. She liked people. Men. Men and women. She had her hopes, she
meant to say; she was “basically an optimist.” She is afraid, she says, of being left
alone; she would sooner share a bedroom at the Anchorage with Mother, than be made
to contemplate that quiet place inside her. That quiet place, she will remind me, is a pit. She said she was surprised to find
it. She went once, as a girl, she closed her eyes and made as if she fell inside herself,
falling upward, somehow, somehow thinking she might find, when she had finished falling,
something to resemble something bright and clean as heaven. She did not. She lay in
bed and fell and kept on falling through this pit until she could not say which way
was up, and which way down, or where the light she thought was at the core of her
had disappeared to. She was scared, scared, “just a girl,” she said; she thought it
might be dangerous to turn her gazes inward.
“Myself,” she says, “I need to see the good stuff.”
So who doesn’t? I suggested, in my case, that she regard the good stuff as a person’s
favorite serving on a plate of food, perhaps, and to think of me as being one who
likes to save his favorite servings for the last. Furze, for instance, I would like
to save out from the telling of this party, and waking up with Daddy. Whim, the horse.
Barbecue, I tell my wife, the sauce, especially, I would like to save how many friends
I played with in the hayloft.
“It was war up there,” I told my wife. “All smokey, that funny sort of jumpy light.