Normally Special

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The Duty Mouths Bring
     
    Best friends: this tape gun, this box cutter, these boxes, the hurt floor, the ache becoming inside my walls of skin. It’s a dark corner I bust my ass in, but it’s mine. It’s a hard day, but I do it. I make sure they see me do it: they are watching anyway. Always watching.
     
    There are no choices in poverty.
     
    He comes up from behind me and when I turn, my hair falls into my eyes. His Cajun hand reaches and moves the strands behind my ear. When I flinch I see the light in his eyes go out and I want to take it back but it’s too late; he’s already seen me detest him. “You’re dirty,” he says, his eyes reviewing me. I do my best not to look down. I keep his eyes with mine. He puts his hand back onto the handle of his cart and pushes it away with heavy steps. It thunders as it rolls. I want him to know I am watching him go, but he doesn’t and I have lost yet another place where I could be thought of as more than.
     
    I pull the thick stack up by the plastic cord that binds it all and heave it onto my own cart. I do this four, five, six times. My back hurts. I’m a mess. Dirty, like he said. I’m feeling every bit of being a woman. I resent the weakness of my sex.
     
    My hair falls into my eyes.
     
    I unfold, fold, slap, drag, and tear. Unfold, fold, slap, drag, and tear. I know who made these boxes: I see their names in the rhythm. I wipe my forehead with the back of my hand. The fronts are stained black, nails broken. I have four new cuts. My pants keep sagging, but I can’t break the rhythm to pull them home. Breaking the rhythm cuts the count. Breaking the rhythm means more time, in the end. It means I’m not as good as them, not as strong. It means they were wrong in the chance they have given me. Unfold, fold, slap, drag, tear. Unfold, fold, slap, drag, tear.
     
    Each day I can stare at Juan for at least four hours if I wanted to, but my eyes need to be mindful of what my hands are doing, so Juan can’t be stared at, just stood across from and taken in. He sings softly in Spanish sometimes. The words sound like love. I always wonder what they mean. Even if we could talk to each other, I don’t think we would. He has a face like a minefield. I should be wary. My piles need to be as many as his or I will get marked down. If his start to surpass mine I catch his eye and smile, interrupting his rhythm, tripping up his hands, halting his song. I catch up in the moment he gives me. It’s a necessary dance, each step survival.
     
    So many mouths; I sit alone and watch them break. Tacos, soda, sandwiches, conversation, cigarettes, laughter— nothing on their faces standstill. Mine sits quiet in the sun, wary not to break, but ready. I finish a sandwich made from donated cheese. It’s gummy and bitter. I smoke a cigarette. When the foreman yells, they filter inside. I follow, feeling future pains in almost every part of me. I think of other mouths, smaller mouths. I punch back in.

Water is Thrown on the Witch
     
    When I see the clothes you’ve laid out for work, when I walk past the closet and I see them laid out on the bench in perfect top to bottom order, when I walk past fast and it catches my eye, my first thought is always—you melted. The pool of you is now evaporated and gone. In that moment there is a feeling of elation like a spark before I realize it’s just a flattened pile of clothes, and then I feel guilty. And then I question the spark and what it means, and it’s because I know what it means that I refuse to look at it or pretend it even happened.

The Importance of Folding Towels
     
    I have been schooled in the art of folding towels. Excuse me, the proper way to fold towels. I have graduated magna cum lazy from the University of Why Can’t You Do Anything Right. It only took me 26 years to add proper towel folding to my list of accomplishments. It’s true. It’s number three, right behind marrying him, giving birth to Lucy, and giving birth to

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