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top, where we position ourselves for a better view.
âYou donât think heâll remember us from the park, do you?â Yvonne asks.
âI think heâs a little distracted right now,â I say.
Streak zips around the three robbers. And while we donât see him hitting them, the physical effects are evident. The one wearing the ski mask is smacked off his feet and flies back, landing just inside the jewelry store. The other two robbers fly in opposite directions. One slams into the side of a parked car, while the other one crashes through the only unbroken pane of glass on the whole block.
âI think we should get out of here,â Yvonne says.
âAre you nuts?â Kent says. âItâs just getting good.â
The red blur comes to a stop and Streak looks at the unconscious robbers. An upper section of the jewelry store dislodges and plunges to the ground just behind the crimson-clad hero. Startled, Streak jumps, and then he darts left in a blur. Arms flailing, he trips over a large piece of concrete, falls to the ground, and skids along the rubble. He comes to an abrupt stop near the three of us.
Groaning, Streak pushes himself off the ground. The entire front of his costume is shredded, revealing exposed skin thatâs scraped and bleeding. His arms give out and he collapses.
The sound of sirens blares in the distance, getting louder as the emergency vehicles draw near. âLetâs get out of here before the police show up,â Yvonne says, making her way through the rubble.
âDo you think we should just leave him?â I ask.
Kent follows after Yvonne, saying, âDude, heâll be fine. Come on.â
The sirens get louder.
âHe doesnât look too good,â I say.
âCome on, Marvin,â Yvonne yells.
I hesitate before chasing after my friends. As the three of us head away from the approaching sirens, I wonder whether itâll ever get any easier doing whatâs right.
ELEVEN
The next evening, after the dinner crowd at Midtown Caf é has thinned, I spot Gus behind the counter, setting a drink in front of a girl sitting on a stool. Most of the tables are empty now, and Gus sees me and waves me over. He motions to the girl. âI just hired someone.â
Thatâs when I realize the girl is Yvonne. She flashes me a smile.
âYvonne?â I say.
âHey,â she says.
âYou hired her?â I ask.
âWeirdest thing,â Yvonne says. âI came in looking for you, and he just up and offered me a job.â
Gus says, âSheâs your replacement.â
âWhat?â
âIâm going to be a busser and dishwasher,â she says.
âIf sheâs doing that, what am I supposed to do?â
âMarvin, I need to talk to you,â Gus says, stepping away from the counter. âIâd appreciate your support on this.â
âBut Iââ
Gus raises his hand to silence me. âYou and I both know that Yvonne needs this. Sheâs trying to make a change. And sheâs in a delicate spot. For someone like her, if thereâs a little hiccup, sheâll just go back to doing what she was doing before, and we donât want that, do we?â
âDid she tell you ⦠?â
He waits for me to finish my thought, but I hold my tongue. âTell me what?â he asks.
âNever mind,â I say. âBut what about me? Sheâs taking my job.â
âYouâre going to wait tables. Youâre my new waiter,â Gus says. âWell, once youâve trained Yvonne.â
I canât help but smile. âReally?â
âIâm giving this to you because youâve worked hard and paid your dues,â he says. âThere are no shortcuts in life, Marvin, so donât believe anyone who tells you differently. There arenât any golden tickets. The only things worth having are those that take blood, sweat, and tears.â He wraps his