watching Samara over the top of his glass but she turns to me. âWhat about you, Will?â
âWillâs the smart one,â says Adam. âWhen he was a kid he was more interested in world poverty than riding his bike.â
âHow about you let him answer for himself?â
I wait for Adam to pitch something back at her, but all he does is unfurl his hand in my direction. âWill?â
âIâm still studying,â I say.
Taryn: âHeâs into philosophy.â
âWhat about Eastern philosophy?â asks Samara. âAre you interested in that?â
âDonât know much about it.â
I can almost hear Adam thinking, Bunch of hippies . He empties the last of the bottle into Samaraâs glass. âYou girls sure can drink. Put me and Will to shame.â
âIs he always such a prick?â Samara asks me with a grin, her shoulder touching mine. âHey, remind me to give you something before you go, something I got in India.â
She goes over to the wine rack on the bench and selects another bottle. Tarynâs fingers seek out the inside of my leg.
âChrist, you wouldnât believe how much I missed a good glass of Aussie red while I was overseas,â says Samara, looking at Adam, then back at me.
âWell, what are you waiting for?â he asks.
*Â Â Â *Â Â Â *
Weâre getting ready to go home when Samara says, âHey, you two, come with me.â
Taryn and I follow her to her roomâitâs next to Tarynâs and itâs like walking into a bazaar, purple and orange cloth suspended from the ceiling, strewn across the bed, embroidered cushions, statues, and incense, of course.
Taryn shuffles some cards she takes from a gold box as Samara hands me a statue of a dancing figure with four arms. Itâs heavy and made of brass. âThis is Nataraja. I got him in Madurai, at a stall outside the temple. The templeâs like a city, itâs incredible. You should go there.â
Madurai. Sounds like the kind of place where you could mislay yourself. Samara squats next to a shelf with books stacked in every direction. Sheâs wearing purple nail polish and rings on her toes. I turn the statue around in my handsâthereâs a circle haloing the figure with brass flames flickering from its rim, a man squashed beneath Natarajaâs feet, skulls woven into his hair.
âHeâs dancing the dance of creation and destruction. Nataraja is one of the incarnations of Shiva,â says Samara, touching each bookâs spine as she checks its title. âHeâs the most powerful of the Hindu gods.â
âHow many have they got?â
âAn old guy on a train to Calcutta told me there are as many gods in India as there are people, because we are all aspects of God. Here it is.â
I put the statue back on top of the shelf, next to a pile of incense ash. She hands me a book. It has a green and orange cover and the title is in gold lettering, hard to read, so I hold it up to the light. The Tibetan Book of Living and Dying .
âI thought it might be appropriate,â Samara says, âconsidering.â
Before I can do anything, she puts her arms around my shoulders and gives me a hug. Sheâs warm against me, rounder than Taryn, a different scent, earthier, and she feels like ⦠God, such a strong urge to cry, and then that creepy feeling all over again.
Samara lets her hands slide down my arms as she pulls away. I grab Tarynâs hand and go, the taste of all that incense sticking in my throat.
*Â Â Â *Â Â Â *
Dad and Adam are already in the car, the moon slapped across the windshield.
âSheâs beautiful,â says Adam.
Tempted as I am, I donât ask him which one he means.
----
Will,
Sorry about Samara. She can be a bit much.
⥠Taryn
----
When I come in from the study, Dadâs already gone to bed, but Adamâs watching the late