last performance of their last night in town that Bruno rather diffidently asked her along to see his quarters aboard the train. Maria showed no diffidence in accepting the offer. He guided her stumbling footsteps along the rutted siding track then helped her up the steep steps at the end of a coach.
Bruno had rather splendid and completely enclosed quarters, consisting of a sitting-room, kitchen-cum-dinette, bathroom â with, of all things, a sunken bath â and bedroom. Maria looked almost dazed as he led her back to the sitting-room.
He said: âIâm told I mix what the Americans call a rather mean Martini. Only time I ever drink is after Iâve finished a series in a town. Alcohol and the trapeze donât mix. Will you join me?â
âPlease. I must say you do live in style. You should have a wife to share all this.â
Bruno fetched ice. âIs that a proposal?â
âNo, itâs not. But all this â just for one man.â
âMr Wrinfield is very kind to me.â
She said drily: âI donât think Mr Wrinfield is losing out on the deal. Does anyone else have accommodation like this?â
âI havenât gone around examining â â
âBruno!â
âNo.â
âCertainly not me. I have a place like a horizontal telephone box. Ah, well, I suppose thereâs a vast gap in status between a trainee secretary and you.â
âThatâs so.â
âMen! Modesty! I just donât know!â
âCome with me on the high trapeze. Blindfolded. Then youâll know.â
She shuddered, not altogether affectedly. âI canât even stand on a chair without getting vertigo. Truly. Youâre welcome to your palace. Well, I suppose I can always come along and visit the palace.â
He handed her a drink. âIâll have a special welcome mat made out for you.â
âThank you.â She lifted her glass. âTo our first time alone. Weâre supposed to be falling in love. Any idea how the others think we are doing?â
âI canât speak for the others. I think Iâm doing very well.â He glanced at the compressing lips and said hastily: âI think weâre doing very well. I suppose, as of this moment, that must be the general idea. By this time at least a hundred people must know that youâre here with me. Arenât you supposed to blush or something?â
âNo.â
âItâs a lost art. Well, I donât suppose you came along just for my dark eyes. You have something to tell me?â
âNot really. You asked me, remember?â She smiled. âWhy?â
âJust polishing up our act.â She stopped smiling and put down her glass. He reached forward quickly and touched the back of her hand. âDonât be a silly goose, Maria.â She looked at him uncertainly, smiled a token smile, and picked up her glass again. âTell me. What am I supposed to do when we get to Crau â and how am I supposed to do it?â
âOnly Dr Harper knows, and heâs not ready to talk yet. I should imagine that heâll tell you â us â either on the way across or when we get to Europe. But two things he did tell me this morning â â
âI knew you had something to tell me.â
âYes. I was just trying to be a tease. It didnât work, did it? Remember those two so-called electrical engineers that the police escorted to the train? They were our people, electronic experts searching for listening devices â bugs. They concentrated on your apartment.â
âBugs? In my apartment? Come on, Maria, that is a bit melodramatic.â
âIs it? The second item of news is that a few days ago they found two bugs in Mr Wrinfieldâs office â one for the room, one for the telephone. I suppose thatâs melodramatic, too?â When Brunomade no reply she went on: âThey havenât removed the bugs. Mr
Landon Dixon, Giselle Renarde, Beverly Langland