undermining his brother in front of the vendor. This is meant to be a peace offering.
âGo faster, Uncle ,â says Little Boy.
âNo.â
âGo faster,â says Little Boy, using his heels as spurs.
They careen down an empty road. Fat Manâs sides burn; he reaches back and slaps the boyâs face. Little Boy grabs his brotherâs ears and pulls with both hands, hard. Fat Man roars, rears back. Now Little Boy hangs from Fat Manâs ears, gripping tight to stay up. Fat Man thrashes. Slaps his brother on the back. Digs his fingers into the little boyâs ribs. Hurls him off, so Little Boy falls to the ground, rolls onto his back. He groans. Fat Man stalks away, off the path into a forest of tall, thin trees. He squats among them, breathes deeply. The sullen slump of his back, the lump of his body, like a mushroom.
Little Boy sits up. To his brotherâs back he says, âWe agreed I was in charge!â
He says, âWe agreed I was your big brother!â
He says, âWe never agreed on those names! You did that alone, without my permission!â
He stomps his foot. âYou have to listen to me!â
He stomps his foot again. âDo you know how much money weâve got? What you promised them means either we stow away on the boat or we stop eating immediately.â
He stomps his foot again.
He says, âWhat do you have to say for yourself, John? â
Fat Man turns around like an outsize baby who just learned to sit up. He looks his brother dead on, sees the snot that runs from Little Boyâs nose, and the narrow thread of blood therein.
âIâm sorry, Brother,â he says. âNobody believes it.â
Little Boy asks him who anybody is to tell them who they are. Who that rat bastard GI fraud artist was. Who anyone is to tell them how they should be. âYou were no one when I found you,â he says. âYou were a coward in a hole. I searched for you and I found you. Iâve taken care of you. Taken care of everything.â
âIâm only saying nobody believes it,â says Fat Man. âYou know Iâve tried. But when people say big brother they donât seem to be thinking of age. Theyâre talking about size. And anyway, I look older. Do you not like Matthew? We could call you something else. We could go back now and tell him your name is whatever you want it to be. You could be George, like he said.â
âI can see Iâve been too easy on you,â says Little Boy. Unsteadily, he climbs to his feet, and goes into the forest, where he pushes Fat Man by the shoulders. Fat Man, still sitting, rocks a little back, is otherwise unmoved.
âWhat are you doing?â Fat Man asks.
âSpanking you,â says Little Boy.
Fat Man laughs.
âIâm spanking you,â shrills Little Boy. âBend over!â
Fat Man bends over. âGo ahead,â he says. âIf it makes you feel better you can wail on me all you want.â Their positions suggest a father playing horsey with his son. Little Boy seems about to climb on. However, he inserts his knee beneath his brotherâs gut, kneeling a little to achieve the effect, as if he supports the lummox. Little Boy brings down his hand on Fat Manâs left buttock. The sharp sound echoes in the trees. Fat Man feels nothing. Little Boy strikes him again.
Again.
Again.
Fat Man holds in his laughter the best he can.
Little Boy goes frantic. He wails on him with both hands. Each impact produces a satisfying but meaningless sound, no pain, no catharsis.
When heâs done Little Boy says, âThere.â
He says, âI hope youâve learned your lesson.â
He says, âI donât like doing that. But itâs for the best.â
They walk home together. Fat Man expects Little Boy to demand another ride. But Little Boy knows better.
That night Fat Man counts the money. Makes a budget, accounting for the cost of their tickets to