Free The Ballad of Ballard and Sandrine by Peter Straub

1997
    “So, do we get lunch again today?” Ballard asked. They had reached the steaming, humid end of November.
    “We got fucking lunch yesterday,” replied the naked woman splayed on the long table: knees bent, one hip elevated, one boneless-looking arm draped along the curves of her body, which despite its hidden scars appeared to be at least a decade younger than her face. “Why should today be different?”
    After an outwardly privileged childhood polluted by parental misconduct, a superior education, and two failed marriages, Sandrine Loy had evolved into a rebellious, still-exploratory woman of forty-three. At present, her voice had a well-honed edge, as if she were explaining something to a person of questionable intelligence.
    Two days before joining Sandrine on this river journey, Ballard had celebrated his sixty-fifth birthday at a dinner in Hong Kong, one of the cities where he conducted his odd business. Sandrine had not been invited to the dinner and would not have attended if she had. The formal, ceremonious side of Ballard’s life, which he found so satisfying, interested her not at all.
    Without in any way adjusting the facts of the extraordinary body she had put on display, Sandrine lowered her eyes from the ceiling and examined him with a glance brimming with false curiosity and false innocence. The glance also contained a flicker of genuine irritation.
    Abruptly and with vivid recall, Ballard found himself remembering the late afternoon in 1969 when, nine floors above Park Avenue, upon a carpet of almost unutterable richness in a room hung with paintings by Winslow Homer and Albert Pinkham Ryder, he had stood with a rich scapegrace and client named Lauritzen Loy, his host, to greet Loy’s daughter on her return from another grueling day at Dalton School, then observed the sidelong, graceful, slightly miffed entrance of a fifteen-year-old girl in pigtails and a Jackson Browne sweatshirt two sizes too large, met her gray-green eyes, and felt the very shape of his universe alter in some drastic way, either expanding a thousand times or contracting to a pinpoint, he could not tell. The second their eyes met, the girl blushed, violently.
    She hadn’t liked that, not at all.
    “I didn’t say it was going to be different, and I don’t think it will.” He turned to look at her, making sure to meet her gaze before letting his eye travel down her neck, over her breasts, the bowl of her belly, the slope of her pubis, the length of her legs. “Are you in a more than ordinarily bad mood?”
    “You’re snapping at me.”
    Ballard sighed. “You gave me that
look
. You said, ‘Why should today be different?’ ”
    “Have it your way, old man. But as a victory, it’s fucking pathetic. It’s hollow.”
    She rolled onto her back and gave her body a firm little shake that settled it more securely onto the steel surface of the table. The metal, only slightly cooler than her skin, felt good against it. In this climate, nothing not on ice or in a freezer, not even a corpse, could ever truly get cold.
    “Most victories are hollow, believe me.”
    Ballard wandered over to the brass-bound porthole on the deck side of their elaborate, many-roomed suite. Whatever he saw caused him momentarily to stiffen and take an involuntary step backward.
    “What’s the view like?”
    “The so-called view consists of the filthy Amazon and a boring, muddy bank. Sometimes the bank is so far away it’s out of sight.”
    He did not add that a Ballard approximately twenty years younger, the Ballard of, say, 1976, dressed in a handsome dark suit and brilliantly white shirt, was leaning against the deck rail, unaware of being under the eye of his twenty-years-older self. Young Ballard, older Ballard observed, did an excellent job of concealing his dire internal condition beneath a mask of deep, already well-weathered urbanity: the same performance, enacted day after day before an audience unaware of being an audience and never