Bureau is working the shootings jointly with the Pittsburgh PD?â
âYeah.â Alcottâs frowned. âNot exactly a brain trust, but some competent people. If nothing else, it gives us more boots on the ground. To follow up on leads. Interview tangential witnesses. Background stuff.â
Lyle Barnes mumbled something I didnât quite catch. But it was clear he shared Alcottâs view of the local police department. The typical FBI condescension toward any law enforcement agency that wasnât the bureau. Including cops, the CIA, ATF, and, especially, Homeland Security.
Fuck âem , I thought sourly. If Neal Alcott was the bureauâs idea of a rising star, they had no business looking down on anyone.
âAfter the Cobb shooting,â Alcott continued, âweâve stepped up making contact with some of the other probables on the killerâs list. So our people are getting in touch with them as we speak. The Cleveland cops who brought Jessup in, his defense attorney, the jury foremanâ¦â
âThatâs a lot of manpower,â Barnes said.
âNot to mention the overtime, but the director feels itâs necessary.â
Barnes pursed his lips, but didnât comment.
Having finished his report, Alcott swiveled face-front again in his seat. I turned to look at Barnesâ chiseled profile, outlined in the faint light, like a medieval woodcut against the night-shadowed window. Before weâd left the motel, heâd downed two cups of black coffee from the lobby vending machine. Yet I could see the strain in his eyes, their ongoing battle with fatigue.
I sat back in my seat. It was strange. A veteran FBI agent. With a long and distinguished career.
A fearless man, afraid to fall asleep.
We drove the rest of the way to Greentree in silence.
***
Assistant District Attorney Claire Cobb didnât fit the picture I had in my mind of an ambitious, âhotshotâ prosecutor. Maybe because the last career-driven, whip-smart female ADA I knew didâ in her stunning looks, take-no-prisoners attitude, and undoubted courage.
What Claire Cobb had, instead, was the steady manner and personal gravitas that made you believe in her utterly. In her competence. In her sincerity. At least, that was the initial impression I had as we shook hands. If it was all show, a practiced pose, she was a remarkable actress.
She was a heavy-set woman, quite stout, with short cropped brown hair. A smooth, oval face, with serious dark eyes behind Armani glasses. Her white blouse, black jacket and slacks, and medium heelsâthe contemporary working womanâs uniformâseemed made to order for the persona she projected. Business-like, yet approachable.
The only glaring note was provided by the bandaged shoulder visible under her blouse, and the way her forearm was bent across her ample chest, held in a hospital sling.
âSorry to meet you under these circumstances,â I said, as she resumed her seat on the three-sectioned couch. I sat next to her. âDoes it hurt?â
She managed a smile. âOnly when somebody asks me that. And people seem determined to do so.â
Behind me, Neal Alcott stifled a low chuckle.
We were in a suite on the top floor of the Greentree Marriott, on whose exterior double doors was a sign stating that the room was closed for remodeling.
The suite itself was modestly-appointed, yet spacious. Including the main sitting areaâwhere we were nowâand two good-sized bedrooms.
The larger of the two boasted a wide-screen TV whose volume was loud enough for us to hear it. The local CNN affiliate, covering the shooting death that morning of Judge Ralph Loftus. Lyle Barnes had gone in and turned it on as soon as we arrived, not five minutes ago.
Agents Green and Zarnicki, having dutifully followed us in from Braddock, were out in the corridor.
Iâd noticed Alcottâs posture and manner had grown more relaxed from the moment