and when they got tied together there was a kind of soft music. I donât know, but itâs like the prose is singing what it says.â He looked over Noelâs shoulder.
Jordanâs throat had gone crimson. The man was blushing.
âAt least it seems that way to me.â He took another sip.
Noel was moved. Maybe a bit jealous. Even with his best writing, heâd never thought of it as singing. But was Beckâs blush because heâd lied well? Or because heâd shown a private section of himself? âAlways good to feel proud of what youâve done well. Tell me, who are your writing models?â
âOh. Yeah. Well, a little Vonnegut, some Dickens, Mark Twain, Hiassen of course. Whitman, definitely.â
âWilliam Least Heat-Moon?â
âWho?â
âA man who wrote a book called Blue Highways . Like the roads you just described.â
âNever heard of him.â
âHow about your characters? They based on people you know?â He watched Jordanâs face tighten. Not knowing, or trying to figure out a plausible answer?
His head shook. âNobody I know well. Bits and pieces of people Iâve met, some friends even, but I did a lot of shaping.â His face relaxed, the grin came back. âAnd lots of rewriting. This draft was the fifth.â
âYou get any critique along the way? Between drafts?â
Suddenly the blush again, and a hesitation. âNo, I didnât. Whyâd you ask that?â
Something wrong here? âUsual reason. Get an outside view and rewrite from whatever you learn.â
âNo,â he said again.
âWhat made you want to rewrite?â
He stared into the remains of his coffee. âWhen it didnât feel right, sound right, Iâd close my eyes again and try to see the scene. And take more mental pictures. And compare these with what Iâd described. And it got clearer.â
A good trick. Noel wondered where Jordan had learned it. Or was he a true autodidact? âWell, I have to agree with you. The fiction writing process does sound more intriguing than the prose. If youâd like, Iâd be pleased to read either or both.â
âHey, thatâd be great. Give me your email address and I can send them to youââ He glanced at his watch. âBetter be this afternoon. Iâm on duty in a few minutes.â
âI can probably get them from Langley.â
âUh, no, donât do that.â He stood. âLangley might feel like Iâm pressuring him. Or something.â
Or something what? Noel took a small notebook from his pocket and wrote out his private email address. A while since heâd had to do thisâusually these days heâd give someone his Islands Investigations International card. He tore out the page, handed it to Jordan. âDonât know how long itâll take me to read the material. But Iâll get back to you.â
âThanks.â
They both stood. Suddenly Jordan seemed nervous. In a hurry to get to work? Or afraid heâd reveal information that might prove dangerous to him? âDâyou have a recommendation for a late breakfast?â
Jordan grinned. A forced attempt at being pleasant? Hard to tell. âSure. Try Thorâs. On Nichols. Good place. Their breakfastâs fine. Itâs a pub and itâs even better at night. I know from experience.â
âOkay. Thank you.â
âYeah. And, uh, thank you, Noel. See you. Got to speed off.â
âGood luck.â He watched Jordan stride to the door, and out. Noel left more slowly. Would Jordan Beck change into waiterâs garb? That belt-and-suspenders outfit wasnât exactly the semi-upscale look.
He returned to Peter Langleyâs office but found it locked. Conferences with colleagues, department meetings. Glad not to be living that life. In the car, Noel checked his map. Thorâs, on Nichols. He drove into town and parked