to Emilyâand himselfâby proceeding further down this treacherous path. It had begun as a fantasy, and would probably have stayed that way: but Benjamin lived for his fantasiesâhad done all his life: they were as solid to him as the contours of his working day or his weekend trip to the supermarket; and it seemed cruel, bitterly cruel, to have even these pale imaginings snatched away from him. He felt coils of despair beginning to wrap themselves around him, and at the same time a familiar hatred for his brother crept into his bones.
âSo what youâre trying to argue, as I understand it,â Paul was saying, âis that political discourse has become a kind of battleground, in which the meaning of words is disputed and fought over, every day, by politicians on the one hand and journalists on the other.â
âYesâbecause politicians have become so careful about what they say, and political utterances have become so bland, that journalists now have the task of
creating
meaning out of the words that theyâre given. Itâs not what you guys
say
that matters any more, itâs how itâs
interpreted.
â
Paul frowned, and licked the last traces of liquid chocolate off the back of their spoon. âI think youâre being too cynical,â he said. âWords have meaningsâfixed meaningsâand you canât change them. Sometimes I wish you could. I mean, look at what I said to the
Mirror
guy this afternoon: âThose who seek to make capital out of human lives should look to their consciences.â Thereâs no getting out of that, is there? Itâs going to sound nasty, however itâs presented.â
âOK,â said Malvina, âbut supposing you claimed that youâd been quoted out of context?â
âHow could I do that?â
âBy saying that you werenât talking about the victimsâ families at all. What you were doingâas someone who supports railway privatization, by and largeâwas firing a warning shot at the new railway companies, telling them not to make âcapitalâ out of human lives by putting profit above safety. So that
theyâre
the ones who should be looking to their consciences.â She smiled at him: a quizzical, challenging smile. âThereâhow does that sound?â
Paul looked at her in astonishment. He didnât quite understand what she was saying, but somehow she had already made him feel better about this afternoonâs gaffe, and he could feel a huge burden of anxiety starting to slip from his shoulders.
âThatâs whatâs so clever about the word you used,â Malvina continued. â âCapital.â Because thatâs the danger, isnât it? That people start to see everything in terms of money. It was such a smart use of language. So ironic.â That smile again. âYou
were
being ironic, werenât you?â
Paul nodded, slowly, his eyes never leaving hers.
âIrony is very modern,â she assured him. âVery
now.
You seeâyou donât have to make it clear exactly what you mean any more. In fact, you donât even have to mean what you say, really. Thatâs the beauty of it.â
Paul remained silent and immobile for a few moments, mesmerized by her words, her certainty, her stillness. By her youth. Then he said: âMalvina, will you come and work for me?â
She laughed incredulously. âWork for you? How can I? Iâm just a student.â
âIt would only be for one day a week. A couple of days, at the most. You could be my . . .â (he searched his mind for a suitable phrase) â. . . media adviser.â
âOh, Paul, donât be silly,â she said, looking away, and blushing. âIâve got no experience.â
âI donât need someone with experience. I need someone with a fresh pair of eyes.â
âWhy do you need a media adviser?â
âBecause I
Chelsea Camaron, Mj Fields