consoling winter rooms
Where, facing south, began the great prayer,
With his reed laid upon the margins
Of the dead, his stainless authors,
Upright, severe on an uncomfortable chair.
Here, where your clear hand marked up
âThe hated cypressâ I added âBecause it grew
On tombs, revealed his fear of autumn and the urnsâ,
Depicting a solitary at an upper window
Revising metaphors for the winter sea: âO
Dark head of storm-tossed curlsâ; or silently
Watching the North Star which like a fever burns
Away the envy and neglect of the common,
Shining on this terrace, lifting up in recreation
The sad heart of Horace who must have seen it only
As a metaphor for the self and its perfectionâ
A burning heart quite constant in its station.
Easy to be patient in the summer,
The light running like fishes among the leaves,
Easy in August with its cones of blue
Sky uninvaded from the north; but winter
With its bareness pared his words to points
Like stars, leaving them pure but very few.
He will not know how we discerned him, disregarding
The pose of sufficiency, the landed man,
Found a suffering limb on the great Latin tree
Whose roots live in the barbarian grammar we
Use, yet based in him, his masonâs tongue;
Describing clearly a bachelor, sedentary,
With a fond weakness for bronze-age conversation,
Disguising a sense of failure in a hatred for the young,
Who built in the Sabine hills this forgery
Of completeness, an orchard with a view of Rome;
Who studiously developed his sense of death
Till it was all around him, walking at the circus,
At the baths, playing dominoes in a shopâ
The escape from self-knowledge with its tragic
Imperatives: Seek, suffer, endure. The Roman
In him feared the Law and told him where to stop.
So perfect a disguise for one who had
Exhausted death in artâyet who could guess
You would discern the liar by a line,
The suffering hidden under gentleness
And add upon the flyleaf in your tall
Clear hand: âFat, human and unloved,
And held from loving by a sort of wall,
Laid down his books and lovers one by one,
Indifference and success had crowned them all.â
1946/ 1943 Â
ON ITHACA STANDING
(1937)
Tread softly, for here you stand
On miracle ground, boy.
A breath would cloud this water of glass,
Honey, bush, berry and swallow.
This rock, then, is more pastoral, than
Arcadia is, Illyria was.
Here the cold spring lilts on sand.
The temperature of the toad
Swallowing under a stone whispers: âDiamonds,
Boy, diamonds, and juice of minerals!â
Be a saint here, dig for foxes, and water,
Mere water springs in the bones of the hands.
Turn from the hearth of the hero. Think:
Other men have their emblems, I this:
The heartâs dark anvil and the crucifix
Are one, have hammered and shall hammer
A nail of flesh, me to an island cross,
Where the kestrelâs arrow falls only,
The green sea licks.
1943/ 1943
EXILE IN ATHENS
(1940)
To be a king of islands,
Share a boundary with eagles,
Be a subject of sails.
Here, on these white rocks,
In cold palaces all winter,
Under the salt blanket,
Forget not yet the tried intent,
Pale hands before the face: face
Before the seaâs blue negative,
Washing against the night,
Pushing against the doors,
Earthâs dark metaphors.
Here alone in a stone city
I sing the rock, the sea-squill,
Over Greece the one punctual star.
To be king of the clockâ
I know, I knowâto share
Boundaries with the bird,
With the ant her lodge:
But they betray, betray.
To be the owner of stones,
To be a king of islands,
Share a bed with a star,
Be a subject of sails.
1943/ 1 943
A BALLAD OF THE GOOD LORD NELSON
The Good Lord Nelson had a swollen gland,
Little of the scripture did he understand
Till a woman led him to the promised land
     Aboard the Victory, Victory O.
Adam and Evil and a bushel of figs
Meant nothing to Nelson