Free Hard Case Crime: Songs of Innocence by Richard Aleas

consolation was the knowledge that our pursuer, with his broader shoulders and extra height, would have an even harder time of it than I was having.
    At the first T-branch, we took a left. There were rusty pipes overhead and running in ranks along one wall. Steam pipes, water pipes, who the hell knew what. The ground was dirt, and in some areas leakage from the pipes had turned it into mud, sometimes ankle deep. We ran through it. Across one particularly deep puddle some helpful soul had stretched a warped plank of wood. I pulled it up after we were across, left it leaning against the wall, then thought better and took it with me.
    I don’t know who built the tunnels under Columbia. I don’t know if anyone knows. They’re very old, dating back to when coal and steam powered the place, and some people say they were used for transporting fuel from building to building. Maybe so. What I do know is that they connect half the buildings on the campus, basement to basement, in an intestinal labyrinth that has captivated students and frightened their parents for decades. During the riots in the 1960s, the students used them to get around. In the 80s, a kid named Ken Hechtman got expelled for using the tunnels to steal uranium from the physics lab in Pupin Hall where four decades earlier the Manhattan Project had been headquartered. There was a lot of history to these tunnels. None of which meant a damn thing to me right now. All that mattered was finding a way out.
    I could hear breathing, ours and his, raggedly echoing in the narrow space; footsteps, too. We kept making turns every chance we got. Anything to avoid a direct line of sight—and of fire.
    Ahead of us, the tunnel widened and we could run side by side. We were under Fayerweather Hall, if I remembered correctly, assuming we hadn’t gotten turned around. Ahead of us, the tunnel forked: a short passage on the left led to two narrow steps and a door, while the longer arm on the right just led on into darkness. I mounted the steps and pushed on the door, which had no knob. Locked. I shoved at it with one shoulder. Nothing. I set the plank down and tried again with as much of a running start as I could get in the narrow space. I could feel the door rattle under the impact, but it held.
    “Come on,” Julie said, too loudly. In the distance we heard footsteps come to a halt, then start up faster.
    I grabbed the plank again and we ran on, to the right.
    The lighting was uneven underground. Some flickering fluorescents for a stretch, then nothing, then a bulb in a plastic cage overhead casting a dim yellow glow. Here, as we crossed a long transverse passage, there was nothing at all, and we felt our way carefully, unable to see each other even inches away. I brushed against the stem end of a pipe at ankle level and heard as Julie walked into its mate on her side. She stifled a curse. I reached out, felt her sleeve, and used it to tug her toward me. This time she didn’t complain.
    I leaned over, found her ear with my lips. It was strangely intimate, like a kiss in the darkness. “I think there’s a branch coming up,” I said, so softly there was hardly any sound at all. “Feel for it on your side.”
    A moment later, I felt her hand on my sleeve. I moved over to her side of the tunnel, touched the rough stone of the wall with my fingertips. I reached the corner she’d found, paced forward till I touched the opposite side. It was an opening about three feet wide. More than just an alcove: I went five or six steps into it and came back. I found her ear again. “Matches.”
    She dug the matchbook out of her pocket. I heard a scratch and a tiny bead of orange light flared between us, too weak to illuminate much other than her hand and, as she raised it, her face, creased with deep shadows. She looked frightened. I’m sure I did, too.
    I took the matchbook from her, carried it deeper down the new tunnel. It ended after about ten feet in a solid wall. In the instant before