the street at this two-story building on the corner.
The word TRANSMISSION is spelled out in shiny, lowercase black letters above the door.
âWhy that name?â
âJoy Division,â he says, grinning.
I canât help but grin back. âNice, man.â
âCome on,â he goes, and we jog across the street and go inside.
The Talking Heads are playing on a record player that sits on a stack of crates behind this glass counter.
There are maybe ten other people here too.
This gallery is pretty sick.
Clean white walls. Beautiful hardwood floor. An information desk at the back.
Thereâs a small, finely crafted bar on the right side of the room. And a winding stairwell next to the glass counter that ascends.
Regardless of how big an asshole my father is, dudeâs got some good cultural taste.
This middle-aged black lady with glasses appears, holding a clipboard and a manila envelope packed with papers.
Her hair is pulled back tightly, and sheâs wearing a white dress, a black cardigan, and black heels.
Sheâs pretty.
My father and her immediately engage in a very intense and important-seeming conversation.
I already feel like a third wheel.
Maybe if I wouldâve ogled over his house and his wife and the maids earlier, he wouldnât have dragged me down here in his ninety-thousand-dollar ride (I looked it up on my iPhone) to show off some more.
I wonder where Savannah is.
I donât see her anywhere.
I Googled her in the car too.
Her picture left me breathless and clumsy.
Savannah is beautiful in the way that Van Goghâs Starry Night is beautiful.
In the way that Françoise Hardyâs voice is beautiful.
In the way that Kim Novak looks during every second her face appears on film in Vertigo .
My father finishes his conversation, then waves me over to introduce me to the lady.
Her name is Jackie, and sheâs the publicist for both my fatherâs galleries.
She gives me a hug and says itâs such a privilege to meet me. âYou look just like your daddy. Welcome to San Francisco, Jaime. Welcome to the Transmission Gallery.â
I thank her and follow my father up to where Savannah will be staying and working all week.
Savannah opens the door. The look on my fatherâsface as he meets her in person for the first time, well, itâs something else. Something Iâve never seen before.
Eager.
Intense.
Engrossed.
Her dark-brown hair is pulled back into a bun. Her lips are thin and her cheekbones are raised and so defined. Sheâs wearing this baby-blue and soft-pink plaid shirt thatâs buttoned up just past her decent-size tits, leaving her cleavage exposed. Sheâs also got on a pair of cutoff shorts that are practically covered by the shirt. And sheâs barefoot. And sheâs wearing this large silver chain with a locket that hangs down to the middle of her stomach.
As they begin to chitchat, my eyes drift to the studio space.
Like, holy shit!
In the center of the room is a black Bechstein Model B grand piano.
Now Iâm salivating.
âDamn,â I say, walking toward it. âThis is amazing. Iâve never played one of these before.â
âYou play?â Savannah goes. âSo do I.â
âHave you tried it yet?â I ask.
âI have.â
âAnd?â
âIt sounds beautiful. Itâs tuned perfectly.â
I glance back at the two of them, and my father looks creased because Iâve butted in.
âMay I?â I ask.
âUmmmm, sure, Jaime,â my father goes. âSavannah, why donât you come downstairs with me. I want to run over some things with you and Jackie now that Iâm back.â
âSure,â she says.
âGreat.â
âJaime, have fun,â she says.
The two of them leave, but they donât shut the door behind them.
Me, I take my seat on the bench and strip off my parka and stretch my arms and fingers. My knuckles crack. I