cigarette slanted as though his mouth were somewhere under the turn of his jaw. “Dont touch her,” Goodwin said.
Popeye stopped before Temple, his face turned a little aside. His right hand lay in his coat pocket. Beneath the raincoat on Temple’s breast Tommy could see the movement of the other hand, communicating a shadow of movement to the coat.
“Take your hand away,” Goodwin said. “Move it.”
Popeye moved his hand. He turned, his hands in his coat pockets, looking at Goodwin. He crossed the room, watching Goodwin. Then he turned his back on him and went out the door.
“Here, Tommy,” Goodwin said quietly, “grab hold of this.” They lifted Van and carried him out. The woman stepped aside. She leaned against the wall, holding her coat together. Across the room Temple stood crouched into thecorner, fumbling at the torn raincoat. Gowan began to snore.
Goodwin returned. “You’d better go back to bed,” he said. The woman didn’t move. He put his hand on her shoulder. “Ruby.”
“While you finish the trick Van started and you wouldn’t let him finish? You poor fool. You poor fool.”
“Come on, now,” he said, his hand on her shoulder. “Go back to bed.”
“But dont come back. Dont bother to come back. I wont be there. You owe me nothing. Dont think you do.”
Goodwin took her wrists and drew them steadily apart. Slowly and steadily he carried her hands around behind her and held them in one of his. With the other hand he opened the coat. The nightdress was of faded pink crepe, lace-trimmed, laundered and laundered until, like the garment on the wire, the lace was a fibrous mass.
“Hah,” he said. “Dressed for company.”
“Whose fault is it if this is the only one I have? Whose fault is it? Not mine. I’ve given them away to nigger maids after one night. But do you think any nigger would take this and not laugh in my face?”
He let the coat fall to. He released her hands and she drew the coat together. With his hand on her shoulder he began to push her toward the door. “Go on,” he said. Her shoulder gave. It alone moved, her body turning on her hips, her face reverted, watching him. “Go on,” he said. But her torso alone turned, her hips and head still touching the wall. He turned and crossed the room and went swiftlyaround the bed and caught Temple by the front of the raincoat with one hand. He began to shake her. Holding her up by the gathered wad of coat he shook her, her small body clattering soundlessly inside the loose garment, her shoulders and thighs thumping against the wall. “You little fool!” he said. “You little fool!” Her eyes were quite wide, almost black, the lamplight on her face and two tiny reflections of his face in her pupils like peas in two inkwells.
He released her. She began to sink to the floor, the raincoat rustling about her. He caught her up and began to shake her again, looking over his shoulder at the woman. “Get the lamp,” he said. The woman did not move. Her head was bent a little; she appeared to muse upon them. Goodwin swept his other arm under Temple’s knees. She felt herself swooping, then she was lying on the bed beside Gowan, on her back, jouncing to the dying chatter of the shucks. She watched him cross the room and lift the lamp from the mantel. The woman had turned her head, following him also, her face sharpening out of the approaching lamp in profile. “Go on,” he said. She turned, her face turning into shadow, the lamp now on her back and on his hand on her shoulder. His shadow blotted the room completely; his arm in silhouette backreaching, drew to the door. Gowan snored, each respiration choking to a huddle fall, as though he would never breathe again.
Tommy was outside the door, in the hall.
“They gone down to the truck yet?” Goodwin said.
“Not yit,” Tommy said.
“Better go and see about it,” Goodwin said. They went on. Tommy watched them enter another door. Then hewent to the kitchen, silent
James Patterson, Howard Roughan