like a space creature in a Kubrick movie or a Byzantine saint.
Heâs watching one of his documentaries. He wasnât much of a television watcher before our divorce, but now he watches hours at a time, almost all documentaries:
The Civil War,
World War I
and
II, Baseball, The Roosevelt Years.
Subject matter is of no importance; the only criterion seems to be that the film is at least four hours long.
The room itself is fairly neat except for the piles of empty boxes in two corners. Along with the TV, heâs recently purchased a KitchenAid mixer heâll never use, a new laptop, and bundles of video games that he keeps in his office.
I help myself to his drink sitting on the coffee tableâwhisky with too much water, but whisky nonetheless. He looks me up and down as I sipâokay, gulp, his gaze landing on the tear at the side of my dress. âWhat the hell happened?â
âOh, you know, the usualâa party, a troll, a fence. Iâm fine.â
He raises a brow. âYour dress tells a more sordid story.â
I take several more gulps of whisky.
âHelp yourself,â he says sarcastically.
âThanks.â Feeling better, I join him on the couch. On TV a flock of flamingoes grazes while a camera pans from above. Spence takes a sip from his drink and hands me the glass; I sip and pass it back.
âYour mom called.â
I keep my eyes on the flamingoes. I dread having to see Mom ever again.
âFirst two calls, she wanted to know if you were okay and if I knew where you were. Third call, she wanted to know why you hadnât called and said she feels bad about what happened, but that you ruined Margotâs party. Margot called, too. She wants you to know that sheâll have someone pack everything you left behind and bring it to your apartment. Oh, and she also says sheâs pissed that you ruined Curtisâs song but forgives you.â
I rest my head on his shoulder. I dread ever having to see either of them ever again.
âAnd Charles called.â
âThe Reverend, too?â I ask.
âYeah, he said something about owing you an apology? He wants you to call.â
I let out a long sigh.
âSounds like the party was a success.â
âOr something like that.â
The camera appears to fall underwater, and we watch a family of hippos swim as gracefully as a school of fish. Spence takes my hand and digs himself deeper into the couch.
Iâm not sure what he thinks Iâve been up to tonight, but, thankfully, heâs not one to ask, which saves me from having to explain my behavior. He has no clue about the men Iâve been with, and I donât intend for him to ever find out. Heâs an assistant professor at UC Berkeley. Philosophy. I sometimes think his devotion to his field is why nothing riles him. When the goal is the question, youâre never concerned with answers.
After another minute of watching hippos, I say, âIâm going to need a ride home tomorrow.â
âAnd your car is . . . ?â
âBack at the mansion. I used a cab to get here.â I stand with a yawn while stretching my arms, then start toward the bathroom. From behind I hear him say, âThe plot thickens.â
I walk past the guest bedroom, past ourâSpenceâsâbedroom. Once in the bathroom, I open the cabinet and pop one of his Ambien. Next, I head into the bedroom and take out a pair of sweats and a T-shirt. Iâve staked out the bottom drawer of his bureau for nights like this, which, since Iâm here almost every night, are innumerable.
We havenât defined what weâre doing. Even though we see each other almost every night and have sex as frequently, weâre not officially back together. Weâre not officially anything, except in mourning.
â¢Â   â¢Â   â¢
B efore Hailey died, Spence and I were experiencing one of those lulls married couples face from time
Sharon Kendrick, Kate Walker