must be more messed up than i thought.
Shut the fuck up, you pathetic slacker loser,
Brendan says,
or else . . .
and like in a dream i see his hand reaching toward the glove compartment. behind us, anil lets out a sharp exhale. and
NO!
bursts from max’s throat. brendan looks back at the three of us. he knows we know and his eyes go to slits.
he pops open the glove compartment and in the blink of an eye that shiny black gun is in brendan’s hand.
BRENDAN
I can’t believe those pussies went rooting
around in my glove compartment.
And who does that useless pothead
think he is, mouthing off to me like that.
Like he’s my fucking asshole dad.
I should fucking scare the crap out of them.
Serves them right.
MAXIE
I feel like I’m in a bad movie,
one with a jittery
handheld
camera
recording everything.
Including a monster
lurking in the shadows.
Except
maybe the
monster
is sitting right there
in front of us.
Brendan is grinning,
waving his
gun.
You know what kind of gun this is?
he says.
A double-action semiautomatic Beretta 92 F.
Put it away, Brendan,
says Felix softly.
Hell no. Teach you a lesson,
Brendan says, his words slurring.
Suddenly Brendan reaches up
and punches a button
next to the moonroof.
The glass panel
silently
slides
open . . . .
Then he thrusts up his hand,
the one holding the gun,
through the opening
to the night sky.
EMMA
Dare you to touch the door,
says Chloe, giggling again.
She’s stopped halfway up the path
to the front door,
blocking my way.
And then suddenly
from the direction of the car
comes a loud popping sound.
What was that?
Chloe cries out, turning and stumbling toward me.
I try to catch her, but she trips on
a pot of flowers, knocking it over
with a noisy clattering sound.
She flounders, trying to recover her balance,
(Chloe always was the world’s biggest klutz),
and somehow she kicks over another one.
OW!
she says, way too loud, falling sideways onto the grass.
I hear the shattering sound
of a third pot breaking,
Chloe’s breath coming quickly.
I hurt my foot,
Chloe bleats.
Go back to the car,
I say, helping her up.
I think it’s bleeding,
she says.
Go back,
I whisper.
I’ll be there in a sec.
Chloe limps her way back down the path.
Even though I know it’s reckless, I have to go on.
I have to know if there’s a ghost.
My cell light fades,
so I tap the keypad.
Light blooms.
I can see the broken pots,
pink roses and dirt tumbled out
onto the path.
A lot of the flowers are flattened from
Chloe trampling on them. Then I hear a
soft sighing sound. From the house.
Who’s there?
comes a whispery, plaintive voice.
I see a screen door, with jagged tears in the
metal netting. And behind the screen door
a woman is standing. White hair haloing a shadowed face.
My roses. Don’t hurt my roses.
The voice is thin, worried. Unearthly.
She moves toward me, her gnarled hands
reaching through the screen like it’s not there.
For just a moment I believe she
is
a ghost.
But then I see she is reaching through the rips in the screen.
A real-life old woman in a shapeless nightgown.
I am suddenly ashamed.
This is a person, a living breathing person
whose flowers we’ve ruined.
I’m sorry,
I whisper and back away.
She opens the screen door,
goes through, letting it fall shut behind her
with a sharp thunking sound.
I keep moving backward. She follows me
down the path. But she stops abruptly
in front of the first broken pot.
She crouches beside it.
And then I see her face crumple,
her mouth gaping open.
I hear a high-pitched wailing,
so agonized and unearthly that at first
I don’t realize it’s coming from her.
MOTHER!
shouts another voice, urgent, coming from inside the house.
My heart starts pounding.
Oh god.
What have I done?
MAXIE
When Brendan sticks
his gun
up through the moonroof
and deliberately lets off
two shots,
my whole body goes
numb.
The shots are