true. And it isnât always an easy thing to fit into your head but it almost helps that CeceliaMartin didnât believe him. Cecelia Martin has exactly zero imagination. Itâs not that Cecelia Martin is dumb, itâs just that sheâs so fucking standard and convinced that she isnât because her hair is dyed a different color and she listens to music that she finds on LiveJournals that mostly feature pictures of emo boys making out with each other. I think I understand why Eric told her. If this were a movie sheâd be the person youâd go to. The freaky chick, the outcast. But Cecelia Martin is on yearbook and newspaper. Cecelia Martin gets straight Aâs. Cecelia Martin is about as outcast as the head fucking cheerleader. I want to believe where she had the chance to and didnât because it doesnât fit in with Cecelia Martinâs worldview, which pretty much begins with Cecelia Martin and her friends Jen Ackerman and Teresa Saylor and whatever cute vintage finds theyâve made this week, and their college friends and how sophisticated and ironic they are.
I can imagine it: Eric hears Cecelia use the words
temporal
and
agonize
in some in-class discussion. Eric suspects that Cecelia may, in fact, be smart. That night at home Eric looks up Ceceliaâs Namespot profile, Namespot being the social networking site on which millions of American kids advertise their specialness, despite the fact that there is a search-engine tool right there on the sidebar that will allow you to find out just how hugely unspecial you are. Eric sees that under âMusicâ Cecelia has expressed a preference for The Boy Who Cried Sparrow, a pretty okay and sort of obscure group people found out about from their older siblings who are in college, which Eric, underexposed as he is to anybody, ever, doesnât realize is a thing anyone else is into, takes it to be a sign, and without hesitation camps out waiting for Cecelia outside of English class the next day and, unbidden, stutters at her something about he has a secret only she can understand, and before she can even ask âWhat?â he blurts it out, all nervous and half-intelligible, so that now when she asks âWhat?â it isnât because she wants to know the secret, itâs because he already said the secret and she couldnât understand him. So he says it again, too loud this time, overcompensating, and she probably says something veryclose to what I said initially, something like âOh, so donât drink so much caffeine or whatever,â and starts to walk away, supremely weirded out, when Eric stops her and tries ultra-awkwardly to explain, but he has no idea where to start and this isnât going at all like he planned it, and she stops him four half-sentences into his explanation and says, âI seriously have no idea what youâre talking about. I have to get to class.â One of the four half-sentences had something to do with how they both liked the same music, and so now she goes around telling anyone who will listen that Eric Lederer, you know, that weird kid, well, he basically stalked her and said some crazy stuff she doesnât even know how to repeat and he ought to be red-flagged like Carl Whiteman, he probably has a hit list and everything, sheâs probably on it, enjoy her while sheâs here, alive, and hasnât yet been murdered by the stalker nerd.
And that day, I probably walked right by them out of class, not really knowing either of them or having any idea who theyâd end up being to me, but I can imagine it so accurately because I was then (and I guess I am still) in my own world of misreading people, reaching out to them in an awkward, overplanned way that blows up big-time, then retreating back in to my just-me existence, while they go around telling anyone who will listen what a tard I am.
Ericâs thing, I donât know what to call it, sounds like something
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain