bodies. In the midst of the languor, the station no longer hummed with activity as it had in times past. Still, all of the detectives worked at desks piled with cases enough for several months of hard work. Enrique asked the first one he came across where Fornellsâs office was. In response, the detective pointed to a room at the inner end of a corridor. Just before Enrique rapped on the door, a baritone voice made him stop.
âDonât bother, heâs not back yet.â The voice came from a young, athletic-looking man in his midtwenties who, in comparison with his fellow officers, was impeccably dressed.
âYouâre Alonso, the writer, arenât you?â
âYes, I am,â
âLet me introduce myself, Iâm Detective Juan RodrÃguez. Iâm working with Fornells on your fatherâs case.â
âPleasure.â Enrique mechanically held out his hand, and gave the detectiveâs a halfhearted squeeze.
âFornells will be back any minute now. He had a coordination meeting with the district chief of the Catalan regional police, you know, the
Mossos dâEsquadra
, but he called five minutes ago and said he was on his way. Letâs step into his office,â he said, opening the door.
Enrique went in with the detective and took the opportunity to confirm his first impression: RodrÃguez had to belong to one of the latest graduating classes of
mossos
. His appearance and poise made him look more like a fashion model than a policeman. His balanced, harmonious features conveyed a style and attitude that radiated positivity and self-confidence. If Fornells trusted him enough to bring him onto a case like Arturâs murder, he must have been competentâa proâdespite his obvious youth. RodrÃguez sat down next to him in the other chair in front of the desk.
âI am authorized to answer any questions you may have, but first I wanted to tell you what a big fan I am of your work.â
âThanks, I appreciate that.â Enrique answered with his automatic good manners and the respect he felt for those who bought his books, a respect in this case tinged by the shattering of his police officer stereotype, and the definitive corroboration of his hypothesis about RodrÃguez.
âI really liked
Chronicle of a Nonexistent Love
, but I prefer the fantasy stuff; I loved
Dream World
. Iâd like â¦â
âSure, Iâll be happy to sign them for you,â
âI donât want to bother you. I know this isnât the best time.â
âDonât worry, itâs not a problem.â
âThatâs kind of you. Iâll bring them, then. But excuse the literary digression; Iâm here to help. If youâd like I could bring you up to speed on your fatherâs case.â
âWell, the truth is I donât know anything at all. My ex-wife happened to find me this morning, and she told me that Artur had been murdered, but not much else.â
âI myself tried to reach you several times, but I never could get you, even though I called at different times.â
âI was at sea, on my sailboat.â
âNow I understand. Well, if itâs okay with you, I could give you a rundown of what happened and what we know as of now.â
âPlease do,â Enrique entreated.
RodrÃguez took a small notebook from the inside pocket of his jacket. After leafing through a few pages, he narrated the events with the steeliness of a veteran cop, in contrast with his rookie image.
âThe autopsy confirmed time of death as Sunday night, about half past midnight. Your godfather was in his shop for reasons unknown, but itâs likely, according to what weâve gathered from some of his colleagues ⦠letâs see,â he said, looking at his notes, âSamuel Horowitz, Guillem Cardús, and Enric Torner, with whom he had coffee Friday afternoon, that he was sorting out what they referred to as a