Free The Cosmic Serpent by Jeremy Narby Page B

pictures of sacred images from around the world. I found a good number of images containing serpents or dragons, and in particular two representations of the Rainbow Snake drawn by Australian Aborigines. The first showed a pair of snakes zigzagging in the margins ( see top of page 78 ).
    The second was a rock painting of the Rainbow Snake. I looked at it more closely and saw two things: All around the serpent there were sorts of chromosomes , in their upside-down “U” shape, and underneath it there was a kind of ladder !

    â€œA rock painting of the Walbiri tribe of Aborigines representing the Rainbow Snake.” Photo by David Attenborough, from Huxley (1974, p. 126).

    From Molecular biology of the Gene, Vol. 1, 4th ed., by Watson et al. Copyright © 1987 by James D. Watson, published by The Benjamin/Cummings Publishing Company.
    I rubbed my eyes, telling myself that I had to be imagining connections, but I could not get the ladder or the chromosomes to look like anything else.
    Several weeks later I learned that U-shaped chromosomes were in “anaphase,” one of the stages of cellular duplication, which is the central mechanism of the reproduction of life; and the first image of the zigzag snakes looks strikingly like chromosomes in the “early prophase,” at the beginning of the same process.
    However, I did not need this detail to feel certain now that the peoples who practice shamanism know about the hidden unity of nature, which molecular biology has confirmed, precisely because they have access to the reality of molecular biology.
    It was at this point, in front of the picture of chromosomes painted by Australian Aborigines, that I sank into a fever of mind and soul that was to last for weeks, during which I floundered in dissonant mixes of myths and molecules.

Chapter 7
    MYTHS AND MOLECULES
    First, I followed the mythological trail of the cosmic serpent, paying particular attention to its form. I found that it was often double:

    â€œThe cosmic serpent, provider of attributes.” From Clark (1959, p. 52).
    This Ancient Egyptian drawing does not represent a real animal, but a visual charade meaning “double serpent.”
    Quetzalcoatl, the Aztecs’ plumed serpent, is not a real animal either. In living nature, snakes do not have arms or legs, and even less wings or feathers. A flying serpent is a contradiction in terms, a paradox, like a speaking mute. This is confirmed by the double etymology of the word - coatl, which means both “serpent” and “twin.”
    The Ancient Egyptians also represented the cosmic serpent with human feet.

    â€œSito, the primordial serpent” (1300 B.C . ) From Clark (1959, p. 192).
    Here, too, the image suggests that the primordial divinity is double, both serpent and “non-serpent.”
    In the early 1980s, ayahuasquero Luis Tangoa, living in a Shipibo-Conibo village in the Peruvian Amazon, offered to explain certain esoteric notions to anthropologist Angelika Gebhart-Sayer. Insisting that it was more appropriate to discuss these matters with images, 1 he made several sketches of the cosmic anaconda Ronín, including this one:

    â€œRonín, the two-headed serpent.” From Gebhart-Sayer (1987, p. 42).
    It would be possible to give many examples of double serpents of cosmic origin associated with the creation of life on earth, but it is important to avoid too strict an interpretation of these images, which can have several meanings at once. For instance, the wings of the serpent can signify both a paradoxical nature and a real ability to fly, in this case in the cosmos.

    â€œThe serpent of the earth becomes celestial; with wings, it can fly, and allows the mummy to ascend to the stars.” From Jacq (1993, p. 99).
    Sometimes the winged serpent takes the form of a dragon, the mythical and double animal par excellence, which lives in the water and spits fire. According to the Dictionary of symbols, the dragon