for a
third
revision, so I just stayed up all night and rewrote it myself.â
âWell, itâs excellent now,â Saralynn said.
I had a tremendous urge to jump up and scream at her: âDonât you realize Rita says that about
every
manuscript she works on? How can it be that every single manuscript is a mess that Rita has to completely rewrite herself? She stays up all night
every time
and saves the authorâs work single-handedly?â
Itâs total bullshit, but Saralynn eats it up.
Saralynn turned to me, her smile fading. âLindy, I need to speak to you about
Pioneer Girl II
. I read it last night. It still isnât there. Youâve got a great beginning and a pretty good endingâbut thereâs no middle. Nothing happens for pages and pages. The covered wagon is stuck in a ditch and the whole story just stops.â
âI know,â I said lamely. âI want to talk to Charlene about it, but she doesnât answer her phone.â
Charlene Nola Watson is the series author. She hates to revise. Iâm sure she screens her calls and doesnât pick up when she hears itâs me.
âWell, email her then,â Saralynn suggested, like Iâm a two-year-old who wouldnât think of email without being told. âBoth of these manuscripts are supposed to go over to Random House on Friday, and only one is ready.â
Ritaâs, of course.
Saralynn turned and swept back to her office down the hall.
Rita had a huge grin on her face. She made no attempt to hide her delight. I wanted to grab that little nub of a nose and pull it out to its original length.
âLindy, if youâd like me to take a look at the manuscript . . . ,â she sang.
Luckily, my phone rang before I could tell her what Iâd like her to do with the manuscript. âFurryBear Press. This is Lindy.â
âLindy, hi. Itâs me.â
At first I didnât recognize the voice. Was it one of the guys from the Internet?
âJust wanted to see if youâve gotten any more threatening calls.â
Oh. Tommy Foster.
âTommy, I . . . didnât know you had my number at work.â
âWell, I added a lot of Benâs contacts to my file. You know. In case I needed to contact some of his people. Iâm just following up on last night, Lindy. If youâre busy . . .â
âNo. Itâs okay. Thanks, Tommy. Iâm fine. I mean, no other calls.â
âGood. I thought it might be a one-time thing. You see any of the guys you met on that Web site?â
âWell . . . Iâm going out with a guy Saturday. But I didnât meet him online. And, to be honest, thereâs another guy . . . well . . . I kind of like him.â
Tommy didnât reply. I heard someone say something to him. A police radio blared in the background. âIâd better go. Youâve got my number, right, Lindy?â
âThanks, Tommy.â He clicked off before I could say goodbye.
In the next cubicle, Rita was talking to one of her guys. âWhat are you going to wear? No, not that. No, donât wear that. Listen to me. They wonât let us in if you wear that.â
Where does she find all these men?
I set the phone back in its base. Nice of Tommy Foster to call. I probably shouldnât have bothered him in the first place.
I took a deep breath and let it out. It had to be someone playing a stupid jokeâright?
13
Do you like to dance?â
âYeah. I go to clubs sometimes,â I said. âYou know. Downtown.â
She let go of her coffee cup and reached across the table to touch my hand. âWe could go dancing tonight.â
âNo, not tonight.â
Her smile faded but her eyes were still lit up. She brushed back her long hair. It was dark brown with blond streaks in it. She put her hand over mine. âItâs still early. How come you donât want to go dancing tonight?â
âI strained my back,â I
Zak Bagans, Kelly Crigger
L. Sprague de Camp, Fletcher Pratt