was fluid. âAnd you? Howâs your partner?â
âFine. Weâre working together.â
Nadia smiled. âYou come to terms about how you feel about him?â
Carly shrugged. âWeâre working together. I think thatâs a wise way to keep things.â
âWhat are you working on?â
Carly explained. Nadia was fascinated, as Carly knew she would be, with William Blake. Why not? The good looks, the notoriety, the secrecy.
âAnd heâs disappeared?â Nadia asked.
âFor the moment.â
âAnd came to you because? You have such a reputation on the street? Because of your extraordinary beauty?â
âYou might remember Anselmo Ruiz.â
âYes, the old pervert.â
âI was at his studio picking out a painting for my office . . .â
âYou went to him? You know I have access to some of the finest emerging artists anywhere. You could have a great bargain with all sorts of investment opportunities. Anselmo, bless his obese heart, is where heâs going to be.â
âI like his work. I like him. And it reminds me of another time, with my parents, those days.â
âSentiment. Youâre getting soft in your . . .â
âOld age?â
â. . . post adolescence, I was going to say.â
âI got it, Nadia. The cheap sentiment of an old woman.â
Nadia nodded. âIf you like.â She smiled as she shook her head. âYes. OK.â
âSo I have a list of folks to find out about, some of them artists. Can you fill me in?â Carly asked about Hawkes and Sumaoang even though they were on Langâs list. And about Lili D. Young and Frank Wiley.
Nadia did. Lili Young was a huge black woman who did watercolors of flowers. They were wonderful and in demand internationally. Her clients, Nadia explained with a touch of disdain, were interior designers not gallery owners. But she did well. She had no idea what Warfield might have had on her.
âI hear she is a tough, passionate woman,â Nadia said. âShe scares some folks.â
âOK, Richard Sumaoang,â Carly said.
âNo, canât picture him. There are many folks out there putting oil on a canvas and hanging on.â
âMarshall Hawkes.â
Nadia raised her eyebrows. She grinned, then took a sip of the Multipulciano.
âA hateful little man,â Nadia said. âBut he is one of the most respected artists on the West Coast. His work isnât in the hundred thousand dollar bracket, but itâs getting there. He is respected. Worshipped by those who favor his approach and his paintings are in all the right collections.â
âHis secret?â
âHeâs a flaming queen,â Nadia said.
âCome on. Thatâs nothing anymore. Certainly not in this town and I canât imagine it making any difference at all in the art world.â
âExactly. But he tries to convince people heâs straight and heâs sued at least two publications for suggesting otherwise.â
âI donât get it,â Carly said.
âNeither does anyone else.â
âWhy would Warfield dislike him?â
âI didnât follow Warfield. I mean, I knew he was some sort of legend in his own mind, but his life didnât in any way intersect mine.â
âOK, last one. Frank Wiley.â
She nodded. âNow weâre notching back down again. I only know about him because he belongs to some photographersâ group. His work is, as far as Iâm concerned, archival. Not that itâs bad. Heâs very, very competent. But aside from a few portraits that found their way into Time and Newsweek back when North Beach was the center of the universe, heâs pretty much of a nobody.â
Nadia continued to talk about other San Francisco artists, not realizing Carly had drifted off a bit.
âAre you seeing anyone?â Carly asked to change the
Frank Zafiro, Colin Conway