all hope of sleep from her.
Corrie studied him the next morning and again later that afternoon and could see no signs of insomnia on his chiseled features. His eyes were shadowed but not by lack of sleep, just by whatever demons haunted him. Unlike her, his hands were steady and sure and his gait even and deliberate.
âPablo was right about him.â Jeannie came to the corral fence and leaned against it beside Corrie.
âRight about what?â
âThe kids. The way they take to Mack. Look at them. Theyâre like filings to a magnet, a few at a time, until suddenly theyâre all there, leaning and tugging on him.â
âYet he holds them at armâs length.â
âDo you think so?â
âLook at him. Itâs as if heâs somewhere else. His thoughts, anyway.â
âThey donât seem to mind,â Jeannie said.
âThey trust him,â Corrie said slowly, and with no small amount of admiration. It was rare that a group of orphaned or abandoned children would so readily take to a stranger, especially one who was their teacher.
âSo do I,â Jeannie said.
âWhy?â
âWhy donât you?â
âI didnât say I didnât. I just want to know what it is about him that makes you trust him. What do you know about him?â
âAside from excellent credentials and references, heâs a natural with the kids. A pure natural. And I like the way he takes his job so seriously. He hasnât even asked whether or not he has weekends off, did you know that?â
Corrie grinned. There were no days off at Rancho Milagro. Jeannie claimed there were no days off from family. There were getaway times, vacations, excursions, but no one punched a clock or logged overtime.
âI keep getting the feeling I should know about him,â Corrie said.
âLike what?â
âLikeâsomething. I donât know.â
âWell, Ms. Prizewinning Journalist, you could always do some research on him. Or maybe you donât want to know too much and just donât want to admit it,â Jeannie said.
âAnd this bit of oracle-esque speech means what?â
âAhâ¦the oracle knows all, reveals but a crack in the large picture frame of life.â
âGag.â
Jeannie laughed and relented. âI think youâre curious about Mack because he appeals to you. And you donât want to play Corrie the journalist, but Corrie the woman.â
Corrie couldnât mask the blush, but said, âYou can be inexpressibly corny sometimes, Jeannie.â
âAnd you can be blind as the proverbial bat. When was the last time you indulged in a little romance?â
Corrie thought of Mackâs intense kisses the night before. A little romance didnât feel possible with him. If she indulged, as Jeannie called it, she would be engulfed, swamped, enveloped. There would be nothing lighthearted about it.
She watched the children gathered around Mack. Almost exactly as Jeannie had described, first two had come, then a third, until within the time it took to tell about it, all the Milagro kids were there, leaning on him, tugging at his sleeves or his jeans, all talking at once, except Jenny, who seldom spoke.
Mack seemed almost oblivious to the noise, the jostling, even the attention. He merely kept walking toward the barn, four or five children hanging from his arms and legs, as if he did this every day and had done so for centuries.
âDo you suppose he was an orphan, too?â Corrie asked.
âWhy would you think it?â Jeannie asked back.
âI donât know. The way he keeps his emotions in check, maybe. The way he doesnât share much of himself.â She thought of his saying heâd been the class clown, how serious he was now. She remembered the internal war over kissing her, the few things heâd said afterward.
âHeâs got kids hanging all over him,â Jeannie pointed