war times.â Leaning forward in his chair, Jackson rests his elbows on his knees and goes on with his story. âA town called Saratoga, where the streets are lit with gas lamps and the hotels have five stories of rooms. All the famous jockeys like Abe Hawkins will be riding there.â He straightens. âSounds like a place where a good jockey can make his fortune. Iâll leave in a couple of days.â
Suddenly, the berries taste as sour as Jacksonâs news. I spit the last bite on the floor. âFirst Pa left. Now you!â
Jackson pokes at the blackberries in his bowl âcause he canât meet my eyes.
âNow, Gabriel.â Ma tries to put a comforting arm around my shoulder, but I push it away.
âThen take me with you, Jackson. Iâm a good rider. I can make my fortune, too.â
âYouâre too young, Gabriel. âSides, whoâd care for your Ma? Whoâd watch over the horses?â
I donât have an answer. My lower lip trembles. I glance around the room. Jackson, Annabelle, Ma, Cook Nancy, Old Uncleâtheyâre all looking at me, sorrow in their eyes.
Furious, I jump off the stool. âLeave then, Jackson.
Leave!
âCause I donât care!â I shout. I stomp out the door and race through the kitchen garden and into the orchard. The evening sunâs falling behind a cloud, casting a dusky gray light over the fields. I need another hiding place, this time to grieve. First Pa. Now Jackson. How can they just up and leave?
Head hanging, heart heavy, I aim for Old Uncleâs cabin in the slave quarters where no one will find me.
***
Old Uncle doesnât say a word to me when he comes in. He settles into his bed, quilt pulled to his chin. When night falls, I slip from the cabin and close the door to his snores, which rattle the room like a gourd drum. Itâs late, and the quarters are mostly quiet. A few field hands sit on their stoops, enjoying the warm night breeze, and pipe smoke drifts through the air.
I stop for a moment, listening to their urgent whispers. It seems that Newcastle wasnât satisfied with beating Aristo. Now, whip in hand, heâs out hunting for me. Silent as a thieving raccoon, I sneak from the quarters carrying a stub of candle.
Iâd be safer staying in Old Uncleâs Cabin, but I have to check on Aristo.
As I dart down the path, I jump at leaves rustling in the underbrush. Could be Newcastle crouched in the shadows cast by the moon. Could be the witch who leads men astray at night.
Heart thumping, I race across the hay field, palm cupping my candle flame. The training barnâs dark. Jase and Tandy sleep in the stalls, so I shield the light as I tiptoe down the aisle. Stretching tall, I peer over Aristoâs half door. The coltâs hiding in the corner.
I make a soft kissing noise. He flicks an ear. One hind hoof is cocked like he donât want company. I hold the candle high, trying to see how bad Newcastle hurt him.
ââRisto, itâs me,â I whisper as I open the stall door. I blow out the candle, afraid of setting the straw on fire. Thereâs enough moonlight coming through the stall window to see the colt. When I step closer, he shies sideways.
âItâs me, horse,â I croon. Placing my palm on his neck, I scratch under his mane, then stroke him from withers to flank. He blows a happy sound, and his ears fall limp. But when I touch his chest, he shudders and moves away.
âI ainât going to hurt you. I just want to see what Newcastleâs done.â My fingers lightly graze his chest muscles, and I feel thin, crusted-over scars where the lash must have fallen. Newcastleâs beat the horse between his front legs, hoping to hide the marks. Hate fills me. The man had no right!
A noise outside the stall makes me tense. Lantern light fills the barn, and heavy footsteps trod down the aisle. The hair prickles on the back of my neck.
Newcastle!
I