. Conversation stopped, heads turned as she threw herself into Tedâs arms.
Like a robot, Elizabeth stared down at them. It was as though she were looking through a kaleidoscope. Loose fragments of colors and impressions rotated before her. The white of Tedâs jacket; the red ofCherylâs outfit; Tedâs dark brown hair, his long, well-shaped hands holding Cherylâs shoulders as he tried to free himself.
At the grand jury hearing, Elizabeth remembered, she had brushed past him, filled with self-loathing that she had been so deceived, so taken in by his performance as Leilaâs grief-stricken fiancé. Now he glanced up, and she knew he had seen her. He looked shocked and dismayedâor was that just another act? Pulling his arm away from Cherylâs clinging fingers, he came up the steps. Unable to move, she was dimly aware of the hushed silence of the people around them, the murmurs and laughter of those farther away who did not realize what was happening, of the last strains of the concerto, of the bouquet of fragrances from the flowers and ocean.
He looked older. The lines around his eyes and mouth that had appeared at the time of Leilaâs death had deepened and were now permanently etched on his face. Leila had loved him so, and he had killed her. A fresh passion of hatred surged through Elizabeth. All the intolerable pain, the awful sense of loss, the guilt that permeated her soul like a cancer because at the end she had failed Leila. This man was the cause of all of it.
âElizabeth . . .â
How dare he speak to her? Shocked out of her immobility, she spun around, stumbled across the veranda and into the foyer. She heard the click of heels behind her. Min had followed her in. Elizabeth turned to her fiercely. âDamn you, Min. What in hell do you think youâre pulling?â
âIn here.â Minâs head jerked toward the music room. She did not speak until she had closed the door behind them. âElizabeth, I know what Iâm doing.â
âI donât.â With an acute sense of betrayal, Elizabeth stared at Min. No wonder she had seemed nervous. And she was even more nervous nowâshe, who always seemed impervious to stress, who always gave off the commanding air of one who could change and resolve any problem, was actually trembling.
âElizabeth, when I saw you in Venice, you told me yourself that something in you still couldnât believe Ted would hurt Leila. I donât care how it looks. Iâve known him longer than youâyears longer. . . . Youâre making a mistake. Donât forget, I was in Elaineâs that night too. Listen, Leila had gone crazy. Thereâs no other way of saying it. And you knew it! You say you set your clock the next day. You were distraught about her.Are you so infallible that maybe you didnât set it wrong? When Leila was on the phone with you just before she died, were you watching the clock? Look at Ted these next few days as if heâs a human being, not a monster. Think about how good he was to Leila.â
Minâs face was impassioned. Her low, intense voice was more piercing than a scream. She grasped Elizabethâs arm. âYouâre one of the most honest people I know. From the time you were a little girl you always told the truth. Canât you face the fact that your mistake means that Ted will rot in prison for the rest of his life?â
The melodious sound of chimes echoed through the room. Dinner was about to be served. Elizabeth put her hand on Minâs wrist, forcing Min to release her. Incongruously, she remembered how a few minutes ago Ted had pulled away from Cheryl.
âMin, next week a jury will begin to decide who is telling the truth. You think you can run everything, but youâre out of your element this time. . . . Get someone to call me a taxi.â
âElizabeth, you canât