it. But it was so cold I pumped it up anyway, and then it took forever to get my work done, because it was so hard to type.â
âAnd your husband? What did he do?â
âOh, he was dead by then. He died when the boys were small. Three and seven, I think they were. Heâmy husband, I meanâhe worked with computers and things.â
âAnd your sons are now grown up and theyâre, whatâa doctor and a lawyer?â
âA cardiologist and a litigator, yes.â
âAnd they like you enough to buy you a house on Margaretâs Harbor just because you wanted to spend a year to read?â
âI should have thought of going to Italy. I like Italy. Iâve been thinking of writing a book about Italy. About LucreziaBorgia, maybe. At least there wouldnât be this kind of snow.â
âThatâs very impressive.â
âA book about Lucrezia Borgia?â
âNo. The fact that your sons like you enough to set you up this way after you did whatever it was you had to do to get them where they are. Iâve seen women like that. Most of them survive by getting hard. You didnât.â
âHow do you know I wasnât set up with enough life insurance to choke a horse?â
âThe fact that you were afraid of paying the heating bills.â
âFair enough,â Annabeth said. âI was thinking of something else, though. While we were coming down. Thereâs a poem by Matthew Arnold, called âDover Beach.â â
ââ⦠for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.ââ
Annabeth stopped still. âExactly,â she said. âThatâs amazing. Very few people know that poem. Even English majors of my generationâour generation, really, Iâm fifty-five and I seem to rememberââ
âSixty-two.â
âYes, well, even English majors of our generation werenât asked to read that, and nobody else ever does except in graduate school. Maybe it was different in Englandââ
âScotland,â Stewart Gordon said. âIâm Scots. Youâve got to keep that straight, or men in kilts will storm your door and beat on it with large swords.â
âRight,â Annabeth said.
âBut you didnât go to graduate school in English literature, did you? It must have been history.â
âOh, it was. But then I taught as an adjunct for a while in a small place and they had me teaching everything. They put it in textbooks for undergraduates now. âDover Beach,â I mean. And, you know, I know that the night of the poem isnât supposed to be a storm. The moon is out. But then thereâs all that at the end, and it just feels more like a night like tonight. Iâm babbling.â
âNo. Youâre doing what Iâm doing. Youâre slowing down as we approach the goal.â
âHeâs going to be dead in there, isnât he?â
âProbably. Thereâs no telling how long heâs been in the cold. If we could have gotten some sense out of Arrow, we might have a rough idea when it was the accident happened, but as it is, as far as we know, it could have been hours. It could have been any time since about eleven this morning.â
âWhy eleven this morning?â
âThatâs when they threw Arrow off the set and she took off with Mark. Both of them, by the way, already fairly out of it. Not to say she was as out of it as she pretended to be at your place.â
âDid you think she was faking? I thought she was faking. I just couldnât figure out why I thought that.â
âYou thought it because sheâs a damned piss-poor actress,â