forward through an underground tunnel.
Lambs that, only recently, were gamboling in the field. An old mule, in Alabama, that could take no more of anything. And then, what follows? Then spring again, summer, and the season of harvest. More catbrier, almost instantly rising. (No violets, ever, or song of the old creek.) More lambs and new green grass in the field, for their happiness until. And some kind of yellow flower whose name I donât know (but what does that matter?) rising around and out of the half-buried, half-vulture-eaten, harness-galled, open-mouthed (its teeth long and blackened), breathless, holy mule.
from Five Points
STEVE ORLEN
Where Do We Go After We Die
Theyâre at their old favorite bar. The funeralâs over. The question
Commands and divides them. One sees the pictograph
Of the great wheel; another, a figure of closed eyes,
Another, the heavenly throne surrounded by a choir of angels,
Remembered from Sunday School. Scripture,
From many sources, is cited, science invoked
And contradictions exposed. The peacemaker
Among them declares that all the stories are true
But on different planes, you can travel among them
When youâre dead, if you want to, even this one,
And find those you cared for and follow them around,
Walk through their pratfalls and the wreckage
And be amazed again at the poignant bravery of the living,
Then the fabulist adds that you want to help, but you canât,
Youâre a ghost, thatâs a rule in all the stories,
And thatâs why both compassion and a coolness of spirit
Can be felt on every street, making the best of a bad deal.
Someone tells a story about Jon, who died
And gathered them here. It brings them to tears.
Another story, and they curse his transgressions.
Then other friends who have died, story and commentary
And rebuttal, they drink, they complicate,
They begin to forget the quirks they loved
And the spirit that flows like a river powerful enough
To ignore the seasons. The lights flash off and on,
The bartender is drying the last of the glasses,
Stories slide under the chairs into the shadows,
Speech reverts to its ancient, parabolic selfâ Yea,
Though I walk through the valley â
And actions lose their agencyâ It came to pass â
The things of the world become scarce,
And whatâs left spreads its wings
And flies around among them, like bats at dusk.
from New Ohio Review
ALICIA OSTRIKER
Song
Some claim the origin of song
was a war cry
some say it was a rhyme
telling the farmers when to plant and reap
donât they know the first song was a lullaby
pulled from a motherâs sleep
said the old woman
A significant
factor generating my delight in being
alive this springtime
is the birdsong
that like a sweeping mesh has captured me
like diamond rain I canât
hear it enough said the tulip
lifetime after lifetime
we surged up the hill
I and my dear brothers
thirsty for blood
uttering
our beautiful songs
said the dog
from Poetry
ERIC PANKEY
Sober Then Drunk Again
On the lightning-struck pin oak,
On the swayed spine of the Blue Ridge,
a little gold leaf.
Once I drank with a vengeance.
Now I drink in surrender.
The thaw cannot keep me from wintering in.
I prepare for death when I should prepare
For tomorrow and the day after
and the day after that.
A clinker of grief where once hung my heart.
Memoryâmoon-drawn, tidal.
The moonâs celadon glaze dulls in the morningâs cold kiln.
from The Cincinnati Review
LUCIA PERILLO
Samara
1.
At first theyâre yellow butterflies
whirling outside the windowâ
but no: theyâre flying seeds.
An offering from the maple tree,
hard to believe the earth-engine capable of such invention,
that the process of mutation and dispersal
will not only formulate the right equations
but that when they finally arrive theyâll be so
. . . giddy ?
2.
Somewhere Darwin speculates that
James M. Ward, David Wise