seriously. People shrugged their shoulders andâerâsmiled. It was considered that the lady was amusing herself, and that she would return when it suited her to do so. When she did not return she was soon forgotten. During nineteen-thirty-five I find the disappearance of two crooners, a jazz pianist, a negro saxophonist, and half a dozen variety artists. None of them in the front rank, but all clever rising young men and women with the prizes of their profession before themânot failures, Captain Loddon, not elderly discouraged men and women, but young people well on the way to success.â
Mr Smith had been speaking in an inexpressive monotone, but now he changed it. Leaning a little forward, he said with some emphasis,
âIt was the cases relating to theâer virtuoso class which attracted myâerâparticular attention. I found myself working backwards towards the Rennard case. The threads I followed oftenâerâbroke, often tangled, but those points ofâerâsimilarity to which I referred a little while ago recurred continually. I became convinced of the importance of the Rennard case.â
âWhat do you mean by points of similarity?â said Oliver.
Mr Smith looked dreamily over his head.
âI will give you an instance. There is one recurrent factor. I have not been able toâerâtrace it in all these cases, but in many of them itâerârecurs. I think Iâerâmentioned Amos Rennardâs predilection for red hair.â
âYou didnât say he had a predilection for red hairâyou said he had red hair.â
Mr Smith smiled.
âI seem to remember mentioning his pride in the fact that his sons had inherited the family hair. He had, I am told, an extreme partiality for the colour, and chose a wife from a family as red as his own. It would, in the circumstances, have been surprising if the sons had had hair of any other shade.â
Florrie came up again into Oliverâs mindâFlorrieâs red hair. What was he getting at? Where were they getting to? They werenât getting anywhere.
Mr Smith said in a measured voice,
âTwo of Mr Simpsonâs parishioners remember to have seen him in the company of a red-haired lad. Their recollection is too vague to be of much value. One of them, a Miss Lucy Thorpe, says she passed Mr Simpson on the Ledstow road. She was on her bicycle, and went past quickly. She says the minister was standing by the side of the road talking to a young man who seemed to be in deep distress. He had his back to her, so she did not see his face, but she was positive he had red hair. She is not sure which day this was, but it was not far off the time Mr Simpson disappeared. It might have been the Friday, or the Saturday, or the Sundayâshe doesnât know. A very poor witness. The other, a man, is even vaguer. He saw Mr Simpson walking with a red-haired man who was a stranger to Ledlington. It was some time that autumn. In the case of Dr Spendlow the red hair motif is very slight. The friend whom he drove to Virginia Water station remembers that they passed a very pretty girl just after they turned off the London Road. She crossed the road, and they had to brake in order to avoid running her down. She was very young indeed, and she had a very fine head of red hair. In the case of the Polish violinist the motif does not appear, but Violette de Parme was credited with a red-haired loverâa young man, very handsome, very distinguished. Several of her friends had seen her with him, but no one knew his name, and Violette refused to gratify theirâerâcuriosity.â
âHad she red hair herself?â said Oliver.
Mr Smith shook his head.
âOh, no. Those who disappeared were notâerâselected on that account. I should not expect it exceptâI have not asked you what is the colour of Miss Carewâs hair.â
Oliver felt a kind of tingling horror. He
Lena Matthews and Liz Andrews