Indians whoâve hated us
long before we anchored here.â
Manteo speaks.
âI have gone to the Roanoke.
Iâve talked with them,
as I did my people.â
âI do not trust this man!â
The womanâs words are full of hate.
I turn to see who speaks.
It is Mother!
âWhy would Manteo side with us?â she says.
âHe could favor the Roanoke!â
The gatheringâs set ablaze.
â. . . this place is cursed . . .â
â. . . my son only talks of fighting Indians!â
â. . . hardly any flour left . . .â
â. . . Manteo, I cannot trust him . . .â
â. . . donât know why we ever came.â
âEnough!â Father roars.
One word reaps silence.
âWe must prepare to leave for Chesapeake.â
There are cries of gratitude.
Mother embraces Mrs. Dare,
the babies between.
I cannot help but edge away from their joy,
the ugly power of Mother speaking.
âThe Governor thinks it best
to delay until spring,â Manteo says.
Fatherâs mouth is firm.
âJohn White is gone.
All he offered us
was false security.
Who will leave with me?â
Men and women ease toward Father.
Several draw close to Manteo.
A few stay where they are.
I am pulled in all directions:
finding safety,
losing Kimi.
This division in our midst.
Where do I belong?
Alis
Father insists
we desert
this prison,
this place
whose beauty
sings within me.
Alis
Manteo and I,
we have a pattern now.
I check to see no one is near,
walk slowly to his guard post.
He signals when the way is clear
of Englishmen or Roanoke
that I might go to Kimi.
Today,
her eyes are troubled.
Something smooth
like weathered pebbles
is cupped in her palm.
Kimi touches my forehead,
brings our hands to my heart.
Her pearls are sea foam
spilling from her fingers.
âMontoac,â she says,
placing them over my head.
She gives this to me?
Montoac.
It is what she called
Uncle Samuelâs bird.
What might it mean?
I try to piece ideas together:
Gift?
Token?
Treasure?
All feel right.
I run my finger around the strand.
âThank you,â I tell her,
touched by her generosity.
I reach for Uncleâs bird,
something I might give her.
I hold it out.
She pushes it away.
âMontoac,â she whispers,
her eyes unblinking.
I think she wants
to hear me say it.
âMontoac,â I answer.
The word
brings her
relief.
KIMI
Alis tucks my rope of pearls
inside her coverings.
And though its beauty is hidden,
it is right for her to do.
Every day, the risks
we take are greater.
There, close to her heart,
my montoac will protect her
from what Wanchese
surely plans.
Alis
The sun has moved beyond the tallest trees.
It is later than Iâve intended.
Racing through the forest,
I hear footsteps behind me.
The Indian again?
The pearls thump against my skin,
warmed as if they are a part of me.
I squeeze between the palisade,
scramble over the earthen wall,
desperate to escape whoever is so near.
âWhoâs there?â
Old Lump-and-Bump lumbers into view.
âMiss Harvie?â he says,
âWhat do you think youâre doing?â
âCatching a breath of air?â
The story is ridiculous even to my ears.
Lump-and-Bump towers above me,
his knobby nose on great display.
âDo not tell me
youâve not been warned
of the dangers outside.â
I drop my chin to my chest.
âMr. Bailie!â
Old Lump-and-Bump looks about.
Outside the village,
two hands cling to the embankment,
a sunburned face appears.
George.
He was the one
out there.
He jumps over the wall.
âI saw Alis,â
heâs out of breath,
âwhile I was hunting.â
When did he notice meâ
before or after I left Kimi?
âLetâs see what your father thinks,â
Old Lump-and-Bump says.
Alis
He marches me to the ironmonger
Joyce Chng, Nicolette Barischoff, A.C. Buchanan, Sarah Pinsker