it?â
Eliza was making no sense whatsoever. âWhatever are you on about?â
Her head jerked away, and her tone became very cold. âNever mind. You think I am being foolish.â
âThat is not what I said,â Wellington insisted. âI am merely trying to understand why you are taking such umbrage. I did not ask you to attend, as I am well aware you are about as interested in the works of Thomas Edison as you are in those of Verdi.â
âMight I remind you, Welly, that we are on a mission? That means sightseeing and local entertainment is considered a distracââ Elizaâs words caught in her throat. She was now looking him over head to toe. âJust a moment, we are on a mission.â
âYes,â Wellington agreed. âAnd you are stating the obvious becauseââ
âBecause I am looking at your suit, Welly, and I can tell you are not armed.â
Bugger. She noticed.
âI am armed,â Wellington insisted.
Her brow knotted. âWith what? A Derringer â81? We need something with a bit more stoppingâitâs not the Derringer, is it?â
âNot . . . exactly.â
Eliza screwed her eyes shut. He could see muscles twitching in her jaw. âPlease, Welly,â she began, â
please
tell me itâs not one of Axelrod and Blackwellâs experimentals.â
Wellington felt his throat go dry. âShe calls it the Nipper.â
âThe Nipper?!â
Eliza screamed. âThis is your first field mission and you are armed with an experimental called the Nipper?
What were you thinking?!
â
âI was thinkingââand Wellington couldnât stop himself from saying itââbaby steps. Yes, I am skilled with sidearmsââ
âYouâre a bloody marksman of most lethal abilities, you are!â
Perhaps it was the trip. Perhaps it was the presence of that bombast Wheatley, but now Wellington could feel his own dander start to get up. âI am not going to discuss this with you any further! You can have the master bedroom. I am a man of simple means, as you know, and I will manage just fine in the guest bedroom.â
âThe guest bedroom?â Eliza folded her arms in front of her chest.
âYes. I think that would be best. Besides, as you have said, we are on a mission, so the fewer distractions the better, yes?â When her shoulders fell, Wellingtonâs exhaustion took the place of his anger. This was growing tiresome, and just a bit silly. âSo what have I cocked up this time, Eliza?â
Eliza went to open her mouth, immediately closed it with a snap, then whirling about, picked up her skirts, stormed into the master bedroom, and slammed the door behind her.
The archivist-now-field-agent stood there, staring at the door, waiting for it to open again. However, the door didnât budge. Wellington couldnât be sure, but he thought he heard a muffled, aggravated scream over the omnipresent sound of the waves of the Atlantic.
âHysteria,â he muttered to himself as he picked up his suitcase. âHas to be.â
I NTERLUDE
In Which the Sands of Kitty Hawk Shift in Dangerous Directions
D unes shift. Coastlines, under the elements, change. The sky is full of fleeting moods. So too the usually pretty face of Sophia del Morte, which was currently marred by a frown. She now stood on the sandbank, looking out to sea, her dark eyes underneath an equally dark hat scanning the horizon with eagle-like determination. This looked like the right place.
From the inside of her corset she withdrew the detailed map of the Outer Banks that the Maestro had given her. These details included coordinates, something Sophia trusted. If she were off her mark by the smallest distance, things could go disastrously wrong. That he should place his own fate so securely in her hands made even this seasoned assassin quiver with delight.
She had travelled by an exceedingly