The History Man

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Authors: Malcolm Bradbury
out. Then came the business of tidying, mending, reconstructing, a terrifying task; the house was badly damaged. But Howard now revealed a certain talent for fixing things, a handyman’s skills he had not known he possessed, skills he had, he supposed, picked up from his father. They had all the windows fixed and the boards taken off the ones at the front. Of course, because the place was condemned, it was pointless to do anything major to the fabric. But the house was surprisingly sound. Water ran in through the roof beside the chimney stacks; someone got up there and stripped away all the lead flashing, not even before they had moved in, but a little after, one night when Barbara was there but Howard was away, up in London doing a television programme on the drugs problem on which he was taking a liberal line. The windows kept getting smashed, but Howard learned how to putty in new ones; and after a while this stopped, as if, by some massive consensus created between themselves and the unknown, their residence had at last been granted.
    All through that first autumn term, the Kirks worked on their terrace house, trying at first to make it habitable, then more than habitable. Howard would dash back from the university in the minivan as soon as he was through with his seminars and tutorials – those instructive, passionate occasions where he was experimenting with new forms of teaching and relationship – in order to change clothes and set to work again on the rehabilitation. He got some help to fix things, like the lavatories, which were smashed when they came, and the stair-rail which he couldn’t manage himself. But most of the work the Kirks did together. They spent two weeks stripping off all the brown paint that coated the interior woodwork, and then brushed seal into the natural colour of the wood. They bought saws and planks and rulers and replaced floorboards that had gone in. Singlehandedly Howard started painting, doing a lot of walls white and a lot of facing walls black, while Barbara borrowed a sewing machine and put up wide-weave curtains in yellow and orange at the windows. Since the place had to be rewired, they took out all the central lights from the ceilings and focused new lights off the walls at the ceilings and off the floor at the walls. Howard, as the term went on, got to know more and more students; they started to help. Four of them with a rented sander exposed, and then waxed yellow with a rented waxer, the good old wood of the floors. Another brought a sand-blaster and cleaned off the walls of the basement. They would stop in the middle of this to drink or eat or make love or have a party; they were making a free and liveable open space. At first the main furniture was the mattresses and the cushions that lay on the floor, but gradually the Kirks got around to going and buying things, mostly on trips up to London; what they bought was transient furniture, the kind that inflated, or folded up, or fitted this into that. They built desks with filing cabinets and doors, as they had in Leeds, and bookcases out of boards and bricks. What had started as a simple attempt to make space liveable in gradually turned into something stylish, attractive, but that was all right; it still remained for them an informal camp site, a pleasant but also a completely uncommitting and unshaped environment through which they could move and do their thing.
    One of the results of this was that things became surprisingly better between the two of them. For the first time, they were giving shape to their lives, making a statement, and doing it out of their own skill and craftsmanship, working together. Watermouth began to please them more and more; they found shops where you could buy real yoghourt, and home-baked bread. They acquired a close, companionable tone with each other, partly because they had not made other friends yet, acquired other points of reference, partly because the people they did meet

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