the window at it. âSee? Itâs all set up, itâs big enough, there is plenty of room and we could bring out cushions and sleeping bags, make it very comfortable . . .â
There was silence for a moment while we all looked at him as if he was Solomon himself, ancient king of the Jews, brilliant at solving everyoneâs problems.
Finally, Singo said, âCool.â In a different, grown-up tone he added, âAnd really, itâs better if youâre not staying inside, Cordelia, because of all those parental problems you mentioned.â He shifted around in his chair. âSo, like, I could run home and get my air mattress.â He leapt up.
âAnd weâll bring food and drink, of course,â said Hassan, gesturing at the table still laden with leftovers.
âAnd you can wash your hands and shower and stuff when Montyâs at work.â Singo swung round to me. âYour dad doesnât have to know â no one else has to know, just us three, right, Lou?â
I looked out at the garden, trying to imagine it all, trying to find the right words.
âYou could have my books so you donât get bored,â I ventured, finding a shadow of my voice. âI mean, Iâve got plenty of books Iâm not using right now,â I added stupidly.
Cordelia looked around the table at us. Her face reddened with the effort of stopping the quiver of her bottom lip.
âMaybe just for tonight then,â she murmured. âThank you.â
Hassan squeezed her shoulder. But she was looking at me. I donât know why, when everything inside me had gone so small, as small as her hurt-voice, as dark and disappointing as my cowardice in the kitchen when the bad man was outside.
8
THE LIE
When I came back into the kitchen with pillows for the tent, Singo was practically falling off his chair with laughter, and Hassan was slapping his knee like an old-timer in a hillbilly movie. Cordelia was performing a stand-up comedy act.
âYou, boy .â She pointed imperiously. âFind another toga for me! Look at this one, all splattered with gladiator blood. How can I cook for the Emperor in this state?â
In a nanosecond she could change her identity, her body language, the shape of her mouth, everything. She made you believe an Ancient Roman cook had somehow managed to get stranded between centuries, a natural accident of the universe that had occurred, amazingly, in your very own kitchen . . .
âAgnes!â I remembered, leaping up. âIâve got to ring Dad!â
As I ran to the phone, I was B ESIEGED by an image of Doreen speeding along in her old Ford, her hair frizzing out in fright. Dad would be driving beside her singing âThe Long and Winding Roadâ, which he did whenever he wanted you to think everything would turn out all right but was secretly convinced it wouldnât.
âHullo, Dad?â I yelled into the phone, trying to make myself heard above a sea of music and voices.
âLou, is that you?â He laughed. âHa, that rhymes, I should write a song! Whatâs up?â
âWhat do you mean, whatâs up? Listen, Iâm ringing to tell you where Agnes is. Sheâll be at the soup kitchen, you know, the one set up outside that restaurantââ
âYes, thatâs right. We found her there, didnât want to come away until sheâd washed and dried the last pot, which was hot! Hey, that rhymes. Now sheâs tucked up in bed all safe and sound.â
âWhy arenât you home then? Dad, are you okay? Itâs pretty late. Whatâs that music in the background, why are you rhyming, where are you?â I shook myself â I sounded like a worried dad, and he was the teenager.
But Dad didnât notice. âHear that song? The Beatles â Doreen has a brilliant record collection, you know, the real deal, vinyl ! All my favourites.â
âHas she got âThe Long and Winding
Spencer's Forbidden Passion
Trent Evans, Natasha Knight