Free Portraits and Observations by Truman Capote Page B

day, walking on the cliffs, we found a poppy, then another; they were growing singly among the somber stones, like Chinese bells strung on a stretching string. Presently the trail of poppies led us down a path to a strange and hidden beach. It was enclosed by the cliffs, and the water was so clear you could observe sea-flowers and the dagger movements of fish; not far from shore, flat, exposed rocks were like swimming rafts, and we paddled from one to another: hauling ourselves into the sun, we could look back above the cliffs and see the green grapeterraces and a cloudy mountain. Into one rock the sea had carved a chair, and it was the greatest pleasure to sit there and let the waves rush up and over you.
    But it is not hard to find a private beach on Ischia. I know of at least three that no one ever goes to. The town beach in Forio is strewn with fishing nets and overturned boats. It was on this beach that I first encountered the Mussolini family. The late dictator’s widow and three of their children live here in what I presume to be a quiet self-imposed exile. Something about them is sad and sympathetic. The daughter is young, blond, lame and apparently witty: the local boys who talk with her on the beach seem always to be laughing. Like any of the island’s plain women, Signora Mussolini is often to be seen dressed in shabby black and trudging up a hill with the weight of a shopping bag lopsiding her figure. She is quite expressionless, but once I saw her smile. There was a man passing through town with a parrot who plucked printed fortunes out of a glass jar, and Signora Mussolini, pausing to consult him, read her future with a shadowy, Da Vincian curling of her lips.
    “June 5. The afternoon is a white midnight.” Now that hot weather is here the afternoons are like white midnights; shutters are drawn, sleep stalks the streets. At five the shops will open again, a crowd will gather in the harbor to welcome the
Princepessa
, and later everyone will promenade in the piazza, where someone will be playing a banjo, a harmonica, a guitar. But now it is siesta, and there is only the blue unbroken sky, the crowing of a cock. There are two idiots in the town, and they are friends. One is always carrying a bouquet of flowers which, when he meets his friend, he divides into equal parts. In the silent shadowless afternoons they alone are seen in the streets. Hand in hand, and holding their flowers, they stroll across the beach and out along the stone wall that juts far into the water. From my balcony I can see them there, sittingamong the fishnets and the slowly rocking boats, their shaved heads glinting in the sun, their eyes pale as space. The white midnight is meant for them; it is then that the island is theirs.
    We have followed spring. In the four months since we came here the nights have warmed, the sea has grown softer, the green, still wintry water of March has turned in June to blue, and the grape vines, once gray and barren on their twisting stalks, are fat with their first green bunches. There is a hatching of butterflies, and on the mountain there are many sweet things for the bees; in the garden, after a rainfall, you can faintly, yes, hear the breaking of new blooms. And we are waking earlier, a sign of summer, and stay lingering out late in the evening, which is a sign, too. But it is hard to bring yourself indoors these nights: the moon is drawing nearer, it winks on the water with a frightful brightness; and on the parapet of the fishermen’s church, which points to sea like the prow of a ship, the young whispering people wander back and forth and through the piazza and into some secret dark. Gioconda says it has been the longest spring she can remember: the longest is the loveliest.

T ANGIER
(1950)
    Tangier? It is two days by boat from Marseille, a charming trip that takes you along the coast of Spain, and if you are someone escaping from the police, or merely someone escaping, then by all means come here: