gnarled
old olive trees.
The house was of an ornate, oriental design, the
windows all curves and arches, the stonework fretted.
Kate was so nervous that when Marc, with a sharp
glance, smiled and held her hand as if she were five years
old, she did not protest, but clung to his protection.
“Suppose he’s angry because you brought me?” she
whispered. “He probably prefers his privacy, like most
famous people.”
He squeezed her fingers comfortingly. “Goose! I told
you, he loves pretty blonde girls!”
She giggled, and then the door opened and a fierce old
man, his thick grey moustaches quivering, glared at them
from flashing black eyes.
Marc spoke to him, in Greek, grinning affectionately,
and the old man answered in a low, grumbling voice, his
hands moving in vivid emphasis. Kate saw him shooting
those black eyes at her, and looked nervously up at Marc.
He laughed, slipping an arm around her shoulders. “He
says he does not like young ladies coming here because
Pyrakis always falls madly in love with them, especially
when they are blonde and beautiful, like you!” And his
grey eyes glinted wickedly.
She blushed and stammered, “I don’t believe he said
anything of the sort!” She moved away, so that his arm
slid off her shoulder.
Marc’s eyes continued to laugh at her. He spoke again
to the old man, grinning, and the old man laughed, deep
in his throat.
He talked gutturally, gesticulating, and Marc laughed.
Then they walked into the cool, shadowy hall and the old
man shuffled away, his great hooked nose like an eagle’s
beak, in profile.
Kate stared around her in fascination. The floor of the
hall was tiled in black and white marble. A gold-painted
tub stood in one corner, full of tall waving ferns, and
opposite her hung a gilded mirror in which her own face
swam, like a translucent mermaid’s, against the dim
background of the hall.
“That is Kyril. He has been with Spiro for years and is
devoted to him, in a fierce, scornful way. They shout at
each other and swear to kill each other, but they are
inseparable.” Marc came up behind her, staring over her
shoulder at her face in the mirror.
Their eyes met. Hers fell away, shyly, at something
odd in his. Then Kyril came back and led them down the
hall. The room they entered was long, austere and as
shadowy as the hall. Beyond open french windows she
could see a cluster of bushes and tall cypress, whose
branches darkened the room, giving it an undersea look,
a cool greeny light filtering through and spilling over
books, tables, chairs.
In a shabby old armchair sat Spiro Pyrakis, his
leonine head turned towards them.
He rose, holding out his powerful fingers, first to Kate.
Kate. “ Mia kyria ,” he murmured, his slightly protruding
blue eyes appraising her. Then his polite smile widened.
“Marc,” he said, in charmingly accented English, “you lied
to me, you dog!”
Marc raised an enquiring eyebrow.
“You told me she was pretty,” said Pyrakis. “She is
enchantingly lovely!” And the blue eyes gleamed down on
her. She was not so inexperienced that she could not
recognise the glance of desired possession, and a hot
blush rose to her cheeks.
Marc moved restlessly, but said nothing. Pyrakis
raised her fingers, very very slowly, and kissed each one
separately, his eyes still fixed on her pink face.
“What innocence, what delicacy!” he murmured. “To
see her blush is like seeing a rosebud open.”
Marc moved to the window and stood with his back to
them, his hands jammed into his pockets. “She is a
pianist, Spiro, and an admirer of yours.”
“Of course,” purred Pyrakis, smiling. He turned Kate’s
hands over, inspecting them. “Your fingers told tales to
me,” he said, softly. “These little tips work hard. Either a
typist or a pianist. I suspected a pianist, because of this
...” and he delicately touched the pulse which beat at the
base of her slender throat.