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When evening crawled in, Paulina was lying in bed, watching a migraineâs oily blind spot drip across her field of vision, remembering the years of hand-stitching sequins. She listened to the waves roll against the cliffs, the creaking of her very old house, and pictured the two boxes. The first was a cigar box in which she kept red sequins for the magicianâs assistant dress she wore when working with Michel Lareilleâa tube with a wire frame buried inside, which gave her a figure before sheâd grown one. The second was a hatbox filled with green sequins for her mermaid tail. The absent hat had been her motherâs. The cigars had been her fatherâs. The boxes were hers, though she shared the red sequins with Michel. His hands shook too much after shows, so sheâd repaired his bowtie and vest. Though it was Michelâs circus, later his carnival, it had always felt like hers.
She touched the tips of her fingers together, where years later the skin was still tough from the needle, from the hundreds and thousands of times sheâd stabbed herself, drawn blood, and buried the stain beneath a sequin.
The baby was crying. Oh, God. Small feet stumbled down the hallway. Simon, running to check on his sister. Nothing made noise quite like a six-year-old boy. The relief that she wouldnât have to get up was matched by the guilt that sheâd already trained her son around her headaches. But these were things you did. All the books sheâd read said it was imperative to make sure that your older children understood that a baby was theirs, too. That a younger sibling was a gift, like a puppy or a kitten, only better because theyâd be there your entire life. Her children would never be alone. Simon took to brothering so well it was almost criminal. The caring in him came from Daniel. The craving to have someone for himself came from her.
When she was eleven, to stop the bleeding, Michel had kissed her fingertips as though they were a scraped knee, frightening the part of her that still believed that age was contagious.
âI sometimes feel like your grandpapa,â heâd said. âWould you like that?â
âYouâre old enough,â sheâd said.
Heâd laughed. âSo I am. Enough sewing.â He spent the rest of the morning showing her a card trick he called the Four Dominions . He made the kings bounce and slide, and disappear.
Sheâd wanted that, a grandfather. Someone who would stay. Michel had an eyetooth that turned sideways and she loved it more than anything else in the world. But someone wasnât yours because you loved a tooth.
Now she missed him during headaches, when she was on the edge of dreaming. She missed him when she smelled clove cigarettes and anytime she was in a car. Heâd let her ride in the passengerâs seat of his panel truck whenever her father was in a foul mood. He twirled the radio knobs until he found jazz. Michel liked 1930s singers, nasal-voiced women, and men who sounded like they gargled marbles. She learned that there were stretches of Route A1A that made her heart buzz like a trumpet with a Harmon mute. During the quiet he smoked to stay awake.
âItâs a terrible habit,â heâd said, a cigarette pinched between his thumb and index finger. âIf you start, Iâll tell your father to feed you to one of the cats. Thatâs a quicker, better death.â
An idle threat. Her father wouldnât risk the cats getting indigestion.
âIf itâs so bad, why donât you stop?â sheâd asked.
âItâs not the same for me. I was born to it.â
Sheâd wondered if smoking was for him like the Russos and their red underwear. The Russo girls had liked to sit on the trapeze and flash everyone their bright red panties as they warmed up. Lucia Russo had said it was a family thing. Tradition.
The blind spot spread and drifted to the side, sliding across