gripping the steering wheel like I hung from it over the edge of the world.
When I relaxed enough to let blood flow back into my knuckles, I knew what I had to do. I called Stan Fleming at the District Thirteen station house. Calling him felt about as good as putting my hands on a dead priest.
He answered the phone, cheery. âYouâre gone, Joe. Youâre out of the picture. Youâre no longer my friend. Iâm a reasonable guy. If youâd stuck around when I asked you toâHell, if youâd called me back when I called youââ
âI know. Iâm gone. Iâm water under the bridge. Iâm yesterdayâs news. Iâmââ
âThen why are you bothering me?â
I inhaled three short breaths. âTo tell you that youâve got another body at Holy Trinity.â
That quieted him. When he found words, they werenât much. âWhat are you talking about?â
âA dead priest. His nameâs Jerold Terwicki. Youâll find him in Judy Terranoâs bathtub.â Now when the police found my fingerprints in the nunâs apartment, Stan couldnât say I hadnât told him I was there.
âHow did he get there?â
âLooks to me like he was dragged over the floorânot very gently.â
âJesus, Joe, youâre dangerous. You canât go near that church without a body dying in front of you.â
âThey usually die before I arrive.â It was a minor point but it seemed worth making.
âYou in the room with the priest right now?â
âIâm driving in my car.â
âTurn around. Meet me there.â
âSorry, canât do it. Iâve got an appointment.â
âDonât test me, Joe.â
âThereâs a book in the nunâs room that you might want to read, too.â
âHuh?â
âItâs called
A Short History of Medieval Architecture
. I guarantee itâll keep you up at night.â
âWhat the hell are you talking about?â
âYouâll find the book in her desk.â
âYouâre not going to meet me in Terranoâs room, are you?â
I tried changing topics again. âAre you going to charge Greg Samuelson with her murder?â
âIâm hanging up, Joe.â
âDid Samuelson kill her?â
âWho else?â
âYou talk to Eric Stone?â I said.
âWhatâs his motive?â
âSamuelson burned his car.â
Stan sighed into the phone. âThe manâs got insurance. And heâs got Samuelsonâs wife. Why bother chasing him? Why kill a nun?â
âWhatâs Samuelsonâs motive?â
âWhy should I talk to you about it?â
âI always call you when I find a body.â
He made a sound somewhere between a laugh and a groan. âSamuelsonâs home life is fucked, obviously. His professional life, too, apparently. A priest weâve talked to says church accounting recently turned up some questionable money transfers involving the nunâs workâtransfers that Samuelson controlled. He knows heâs about to be caught and, with his wife leaving him, he has nothing to live for outside work, so he takes out the nun and shoots himself in the head.â
âMaybe,â I said, âbut I donât think so.â
âBut it doesnât really matter what you think, does it?â he said.
I admitted, âProbably not.â
Next I called Lucinda. Sheâd napped and sounded mostly sober. She was getting dressed and planned to head downtown to the library to look up Judy Terrano and William DuBuclet in the archives. I told her about the dead priest and she sounded more concerned about me than him. âDangerous business working at that church,â Lucinda said.
âRight up there with commercial fishing.â
She said softly and bitterly, âOr becoming a drunk ex-cop.â
âDrinking for a few days after you lose your