float like that, the way it did on the disc there, with the fire fudge. Plus, letâs face it, folks, this is an exotic.â
âExotic?â David asked. The problem with being a homicide cop in an arson investigation was how often one found oneself playing straight man.
Warden skittered forward, his eye prong twitching. âIs unusual this. Connotes professional behavior.â
âHired torch?â Mel asked.
Clements nodded. âCould be. Weâre going through our arson signatures, see what we come up with. Get this, Silver.â She took a cigarette from her purse and put it in her mouth. The room became silent. Clements rolled her eyes, took the cigarette out of her mouth, and waved it in the air. âIâm not lighting , okay, sweethearts? Just tasting the tobacco a little.â
David decided that he liked her. She reminded him of Mel.
âWe found trace elements of potassium chlorate in that house where you fell through the floor.â
David shifted in his seat. He had not been planning on sharing that particular episode.
âNow wait a minute.â Mel scratched his chin. âI thought that fire, the one in the house, caught from the supper club. Like an accident.â
âIt wasnât an accident that we found Theresa Jenks there,â David said.
Clements shook her head. âWeâre still sifting, but there was enough heat and flame to insure hostile fire.â
String arched backward on his fringe. âHow is this fire hostile? This is emotion?â
âIs human expression,â Warden said. âThe constant anthropomorphism. Her meaning is the fire seems to be set for the purpose carefully. So it is insured that building will go down to the cinders.â
âAh.â
Yolanda Clements sniffed the cigarette. âListen, while you two translate, Iâm a run the rest of the show. Itâs going to jump around; weâve spliced the whole. Got bits from those nasty rooms upstairs.â
âWhereâs vice when we need âem,â someone said.
âHey, Yo, we get copies of this?â
The image wavered, and bars of grey static fuzzed the clarity. David squinted.
âThat an Elaki ?â someone asked.
âI had no idea they were so ⦠agile. Whatâs he doing to that woman?â
âUse your imagination.â
âOh, God. If it wasnât so neat, Iâd throw up.â
âBeats sheep, I guess.â
David heard a chair scrape the floor, looked over his shoulder, saw Della slip away.
The scene switched to the kitchen where an Elaki and a boy, both in soiled undershirts and ball caps, peered into a fryer. The Elaki waved a fin over the grease, and the boy laughed and turned the Elakiâs ball cap backward.
David wondered if either of them had survived.
The image blurred, another shift in location. David saw the bar again, people laughing, talking, drinking. Something odd about the scene. He realized that the people and Elaki were mixing freely here, sitting together at tables, moving in and out of mixed groups. The numbers were pretty evenly distributedâhuman and Elaki one-to-one.
A hallmark of the supper clubs. The only other place David had seen such easy mixing was a restaurant called Pierreâs, and even there, Elaki stuck with Elaki, and people stuck with people.
David rubbed his chest, touching the scar. Pierre had saved his life when heâd been shot. Kept him breathing, until the ambulance came. Some days David wished Pierre had not gone to the trouble.
David heard a gasp, an exhalation of breath, someone muttering Holy Mary Mother of God. He looked up at the screen.
A wall of flame rose up from behind the bar. The room was hazy with smoke, and people and Elaki moved in frantic but oddly aimless motion. The Elaki were at a distinct disadvantageâunable to hold their own against the bone and sinew of people who moved in a thickening mass for the door.
Warden turned his
Pip Ballantine, Tee Morris